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Rock Hall of Fame: George Michael, Kate Bush, Missy Elliott, White Stripes Lead Nominees

THE NOMINATIONS OF the Rock & Roll Hall of Fame’s Class of 2023 are in, and the list features George MichaelKate BushMissy Elliott, the White Stripes, Sheryl Crow, Iron Maiden, Joy Division/New Order, Cyndi Lauper, Willie Nelson, Rage Against the Machine, Soundgarden, the Spinners, A Tribe Called Quest, and Warren Zevon. The top vote-getters will be announced in May and inducted in the fall.

“This remarkable list of Nominees reflects the diverse artists and music that the Rock & Roll Hall of Fame honors and celebrates,” said John Sykes, Chairman of the Rock & Roll Hall of Fame Foundation. “These artists have created their own sounds that have impacted generations and influenced countless others that have followed in their footsteps.”

To be eligible for this year’s ballot, each nominee’s first single or album had to have been released in 1998 or earlier. Eight of the nominees (Sheryl Crow, Missy Elliott, Joy Division/New Order, Cyndi Lauper, George Michael, Willie Nelson, The White Stripes, and Warren Zevon) are on the ballot for the first time. Missy Elliott and the White Stripes are appearing in their first year of eligibility.

This is the fifth nomination for Rage Against The Machine, the fourth for Kate Bush and the Spinners, and the second for Iron Maiden and A Tribe Called Quest.

Listing Joy Division and New Order as a single act may seem odd since they’re technically two different bands. But New Order was formed by the three surviving members of Joy Division almost immediately after the suicide of frontman Ian Curtis in 1980. The only difference was the addition of keyboardist Gillian Gilbert a few months later. (In 2012, the Hall of Fame brought in the Small Faces and the Faces as one unit even though they had two different singers and rather different sounds. It’s easy to argue Joy Division and New Order have more shared DNA than those two groups.)

The Hall of Fame is one of the few places outside of a courtroom where bitterly estranged bandmates are forced back into the same room. That has led to amazing reunions over the years of dormant bands like Cream, Led Zeppelin, Talking Heads, the Police, and the Doors. This class presents an opportunity for New Order to perform with former bassist Peter Hook for the first time since 2006 and for Jack White and Meg White to play together again as the White Stripes for the first time since the final episode of Late Night With Conan O’Brien in 2009.

 

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Senate Judiciary Committee Holds Hearing on Ticket Industry Practices

On Tuesday, Jan. 24, the Senate Judiciary Committee held its highly anticipated hearing on competition in the ticket industry. “That’s the Ticket: Promoting Competition and Protecting Consumers in Live Entertainment” lasted over three hours, during which lawmakers questioned entertainment industry executives, artists and antitrust experts while Taylor Swift fans gathered outside in opposition to the current operations.

Critics have accused Ticketmaster of being a monopoly, particularly after its merger with Live Nation in 2010. Outrage reignited during Swift’s botched presale process for her Eras tour back in November, which led to extended waits, excessive fees and website outages, leaving fans without their coveted entrance to the much-anticipated tour stops.

Judiciary chair Dick Durbin (D-Ill.) spoke first and added some context to the situation. He stated: “Live Nation merged with Ticketmaster in 2010 in a deal that joined the country’s largest ticketing company with its largest event promoter. The Justice Department and Attorneys General from many states, including Illinois, sued to block the merger. The plaintiffs ultimately allowed the merger to go through, but put in place a consent decree with a set of conditions and divestitures designed to ensure competition in ticketing and live entertainment markets. Unfortunately, that consent decree does not appear to have been effective in the decade-plus since the merger Live Nation has consolidated its dominant position in the ticketing and live entertainment markets. And the result is a competition-killing strategy that has left artist and fans paying the price.”

Later in the day, Amy Klobuchar (D-Minn.), the chairwoman of the Senate Judiciary Subcommittee on Competition Policy, Antitrust, and Consumer Rights, added, “I just want to dispel this notion, that this is not a monopoly and then we can go from there about solutions.” She also added, “I believe in capitalism and to have a strong capitalist system, you have to have competition. You can’t have too much consolidation. Something that unfortunately for this country as an ode to Taylor Swift, I will say we know all too well.”

During yesterday’s hearing, Senator Richard Blumenthal (D-Conn.) spoke directly to the president and CFO of Live Nation Entertainment, Joe Berchtold, stating: “Mr. Berchtold, I want to congratulate and thank you for an absolutely stunning achievement. You have brought together Republicans and Democrats in an absolutely unified cause. And may I suggest respectfully that unfortunately your approach today in this hearing is going to solidify that cooperation because as I hear and read what you have to say, it’s basically, it’s not us, it’s everyone but us.”

The Senate Judiciary Committee’s hearing on Tuesday stretched on for over three hours while addressing years of frustration and disapproval over high fees, questionable resale practices and other issues stemming from Swift’s ticket debacle. Attorney generals in many states set into motion consumer protection investigations, while many Democratic lawmakers requesting that Ticketmaster be broken up. Lawsuits filed by fans for what they believe is the company’s fraud and antitrust violations remain unresolved…………..

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Rick Rubin on his creative process: “I know nothing about music”

Rick Rubin has opened up about his creative process, claiming that he “know[s] nothing about music”.

The acclaimed music producer, who’s worked with the likes of AdeleThe Strokes and Red Hot Chili Peppers, recently sat down for a lengthy interview with CBS’ 60 Minutes to promote his new book The Creative Act: A Way Of Being.

At one point in the conversation, host Anderson Cooper asked Rubin whether he played any instruments. “Barely,” he replied (via Stereogum).

Rubin went on to admit that he doesn’t even know how to work a soundboard in the recording studio. “I have no technical ability,” he told the programme. “And I know nothing about music.”

Cooper then put it to Rubin that he “must know something” having worked across numerous genres over the decades.

“Well, I know what I like and what I don’t like,” he responded. “And I’m, I’m decisive about what I like and what I don’t like.

Rubin was pressed on what he is actually “being paid for”, to which he replied: “The confidence that I have in my taste and my ability to express what I feel has proven helpful for artists.”
Read more on NME.com 

UNIVERSAL MUSIC GROUP OPENS ITS FIRST ‘MUSIC-BASED EXPERIENTIAL HOTEL’ IN MADRID

The other day, MBW noted that Universal Music Group is targeting a 25% annual EBITDA margin over the next few years – and that it’s likely to need to explore innovative new revenue streams to get there.

Exhibit A: Over two years since announcing that it was making a foray into the hotel business via a partnership with investment group Dakia U-Ventures, UMG has now opened its first “music-based experiential hotel” in Madrid.

The UMUSIC Hotel Madrid is now operating at full capacity after opening its doors on November 14, 2022, at a 60% capacity, UMG-run website uDiscoverMusic confirmed on Monday (January 9).

The first-ever UMUSIC Hotel is located inside the historic Albéniz Theater building in the Spanish capital. The theater, inaugurated in 1945, closed its doors in 2009. Its owners originally wanted to demolish the building and replace it with a luxury residential building, but a group of citizens banded together to stop the demolition, which was granted in 2016, uDiscoverMusic says.

As a result, negotiations for what is now the UMUSIC Hotel Madrid started, according to the report.

UMG launched the UMUSIC Hotels brand in October 2020, at a time when the hotel industry and the whole hospitality sector was still reeling from the COVID-19 pandemic.

However, Spain wasn’t its first location target. UMG and Dakia identified the first three locations as Atlanta, Georgia; Biloxi, Mississippi; and Orlando, Florida.

The Mississippi hotel is expected to be completed this year, said Robert Lavia, Chairman at Dakia U-Ventures, at a press conference in 2020. The executive revealed at the time that the UMUSIC Broadwater hotel complex is valued at $1.2 billion.

Each UMUSIC Hotel is planned to draw inspiration from where they were located, promoting their local cultures, UMG said earlier.

“UMUSIC HOTELS WILL BOTH HIGHLIGHT THESE CITIES’ RICH MUSIC HERITAGES AND PROVIDE NEW OPPORTUNITIES FOR ARTISTS TO REACH FANS IN IMMERSIVE, INNOVATIVE AND AUTHENTIC WAYS.”

BRUCE RESNIKOFF, UNIVERSAL MUSIC ENTERPRISES

“Through music’s unique power to inspire and unite – especially given UMG’s unparalleled roster of artists and labels – UMUSIC Hotels will both highlight these cities’ rich music heritages and provide new opportunities for artists to reach fans in immersive, innovative and authentic ways,” Bruce Resnikoff, President and CEO of Universal Music Enterprises, said at the time.

Unlike traditional hotels, UMUSIC Hotels offer fans, guests and artists with immersive music experiences, incorporate elements of the local music scene, says UMG.

To celebrate the launch of UMUSIC Hotel Madrid, Antonio Banderas’ take on the musical Company will be showing at the theater until February 14.

It will be followed by Spanish singer-songwriter David Bisbal’s 20th music career anniversary show, which will take the stage for 20 days between March and April.

A one-night stay at the UMUSIC Hotel Madrid costs around EUR €266.00 to €392.

Aside from a theater, the 130-room hotel also features a fitness room, an outdoor pool, a bar ampitheater, three meeting rooms, a two-level solarium, a rooftop bar, an onsite restaurant, an event space and a pool bar.

The hotel joint venture between UMG and Dakia builds on their previous agreement signed in August 2019 to create immersive music experiences.

The companies have also planned on identifying other potential projects including “next-generation retail.”

UMG’s entry into the hospitality sector comes as the music company expands its revenue sources. In recent years, it delved into the NFT space, the medical sectorfitness technology, and social media, among others.

 

LINK TO FULL ARTICLE

How to Make Money as a Musician!

We’ll teach you about every stream of revenue available to musicians!

First and foremost, make sure you have all of your music registered with a PRO. In order to receive the money you may be owed, all songs you’ve written must be registered with a PRO like BMI or ASCAP, and sound recordings must be registered with a service like SoundExchange. With these two steps taken care of, you will be able to earn royalties for your music.

Now that you’re able to earn money through royalties, the next best way to keep the cash flowing is to monetize your Youtube and social media videos. Every time your music is used in a video, whether on your channel or someone else’s, you’re entitled to any ad revenue generated.  Many digital distribution companies can help ensure you get the money you deserve.

With these sources bringing in your revenue, a more fun way of making money is playing gigs. While these may be few and far between during COVID, the world is beginning to open up again and you can finally get back to performing. You can find gigs through websites like ReverbNation Gig Finder. These events do tend to be more corporate, so finding local venues through networking is just as important. If you plan on sending emails to different venues or industry professionals, an Electronic Press Kit will be extremely helpful. You can create an EPK through Canva, Adobe Spark, and Shopify’s Press Kit Builder. An EPK will definitely boost your overall professional aura. For the time being, online concerts can also be profitable. If you haven’t read our post about online concerts, head there to learn about monetizing your music live streams.

Lastly, selling merchandise through an online shop can be both fun and profitable. If you aren’t ready to deal with ordering and shipping items yourself, a site such as Redbubble allows you to upload designs, then prints and ships for you when there’s an order. For bands who are ready to take a bigger step into merchandising, an online shop builder like Shopify allows you to create an online store; however, you will be in charge of making products and shipping them.

We hope you find these tips helpful, and let us know if you use any in the comments section!

Powderfinger Supports MusicCares Relief Fund for Musicians

In recent weeks, COVID-19 has devastated our music community, leaving thousands of music creators and professionals without work and an uncertain future.

But we have the power to help.

The Recording Academy® and its affiliated charitable foundation MusiCares® have established the COVID-19 Relief Fund to help our peers in the music community affected by the Coronavirus pandemic.

While the Recording Academy is best known for Music’s Biggest Night, the GRAMMY Awards Telecast, we serve the music community year round, by providing emergency aid through MusiCares, to the advocacy work we do to protect musicians’ rights.

CLICK HERE TO DONATE!

Please join us to help keep the music community alive and thriving, giving it as much as it gives us.

Community Radio Fights to Stay Live (and Weird) Despite Coronavirus

Community Radio is growing like crazy right now:  “Beth Arroyo Utterback, WWOZ’s general manager, can look at the server that feeds the station’s signal online and see that listenership has jumped globally in the past week from 32,000 to 40,000. That’s in addition to the 80,000 people stuck inside and tuning in locally via 90.7 FM, up from 70,000 according to a recent Nielsen study.”

Continue reading

Important Takeaways From Taylor Swift’s Master Rights Predicament

Guest post by Scott McCormick of Disc Makers Blog

On November 14th, singer-songwriter Taylor Swift dropped a bomb on Twitter, saying:

It’s been announced recently that the American Music Awards will be honoring me with the Artist of the Decade Award at this year’s ceremony. I’ve been planning to perform a medley of my hits throughout the decade on the show. Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that would be re-recording my music before I’m allowed to next year. Additionally … Netflix has created a documentary about my life for the past few years. Scott and Scooter have declined the use of my older music or performance footage for this project, even though there is no mention of either of them or Big Machine Records anywhere in the film.

This caused Twitter to melt down. Continue reading

Yes, There’s Now A Zillow For Song Royalties

If you own a home you most likely know about Zillow, a website that makes it easy to find out how much your house, and others in the neighborhood, is worth on the current open market. It’s great if you’re buying or selling a home, or just for fun to play a “What if” game or two. Now there’s something similar available for song royalties as well. Royalty Exchange has just launched its “Know Your Worth” app that collects many streams of information and makes your royalties easy to understand in a way that hasn’t been done before.

According to the company, “The app analyses songwriters’ public performance statements from their PRO, and automatically produces a personalized report with details that until now were unavailable from a single source.

This includes:

  • A dollar range estimate of the catalog’s fair market value
  • A full accounting of the lifetime and last 12 months earnings for the catalog provided
  • A list of the catalog’s top-earning songs
  • The catalog’s top sources of revenue by format (radio, streaming, TV/Film, etc.)
  • Year-over-year trending data for all earnings, top songs, and top formats

Finally, it provides the first-ever analysis of what each songwriter earns in public performance royalties on specific streaming services through a metric we call the “Latte Index”—or the number of streams on each service needed to buy a Starbucks Latte.”

While the app provides a good look at a catalog’s worth, it’s not all-encompassing, as it just looks at statements from ASCAP and BMI. If you have a foreign presence or are signed to SESAC, then you won’t know the full picture of the song or catalog’s worth. That said, Know Your Worth is a quick and easy way to at least get a feel for its value.

If you’re an aspiring songwriter, this app probably won’t mean much to you, but if you’ve had some success and you’re wondering about the value of your song catalog, the Know Your Worth app is a quick way to find out.

Read more: http://music3point0.com/2018/08/17/zillow-song-royalties/#ixzz5OqbZi7m5
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