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“Come Together” captures the fragile space of entering a new relationship after being wrong before — the push and pull between wanting connection and needing reassurance. Built on hypnotic grooves, layered textures, and Rudy Love Jr.’s vulnerable vocal delivery, the song leans into questions rather than answers: Is this real? Can it last? Should I trust what I feel? Lines like “trust takes time, I need to know that you’re a man” and “I’ve been wrong before, but I feel good about you” anchor the song in lived experience, while its recurring refrain — “we come together” — carries both hope and hesitation. The result is a track that feels emotionally immediate, balancing doubt and desire in equal measure. “Come Together” continues the arc of RE/SOLVE, 2ŁØT’s second album and a deeper exploration of what the band calls their “Second Hero’s Journey” — what unfolds after the initial breakthrough, when clarity gives way to questions and identity begins to shift.
“The aim is to mythologize the cyclical process of self-reflection, transformation, and self-actualization through a Campbellian archetypal lens,” shares Rudy Love Jr. “The songs are specifically written and ordered to tell a story that takes the listener on this adventure with us.” Where Entropy introduced the band’s philosophical foundation — rooted in the inevitability of disorder — RE/SOLVE moves inward, focusing on the quieter, more personal work of rebuilding. “Come Together” sits at the heart of that journey, reflecting a moment where connection feels possible, but not yet certain. The release follows a landmark year for 2ŁØT. In 2025, the band crossed into the global electronic arena in a meaningful way, collaborating with Steve Aoki on two releases — including a Dim Mak drop — while also landing on the dance charts and expanding their reach to festival audiences worldwide.
The Albert Harvey Mix EP reimagined key tracks from Entropy through a dance-forward lens, and Paul Oakenfold’s reinterpretation of “Entropy” further cemented their presence in the electronic space. Their collaboration with Aloe Blacc on “Immortal,” rooted in the philosophy of memento mori, debuted live on KTLA and resonated widely for its message of urgency and purpose. With RE/SOLVE, 2ŁØT returns to a cohesive album vision — one that builds on their Electronic Jam Music foundation while embracing a more nuanced, emotionally grounded approach.
The Afterschools
Love Me While I’m Working is the new full-length album from The Afterschools, blending guitardriven indie rock, vocal-hook-centered songwriting, and keyboard-based arrangements. The project builds on the momentum of the album’s title track, originally released in 2024 and later promoted as a standalone single. Powderfinger supported the track through a successful radio campaign in summer and fall 2025, where it reached light and medium rotation on approximately 50 stations. The single’s success led naturally to a conversation about the full album, and after reconnecting in spring 2026, the team moved forward with a complete release and radio promotion plan.
The album also features the upcoming video for “Game Changer,” continuing the project’s DIY visual approach. Official Video for “Game Changer” https://www.youtube.com/watch?v=qA8yBZsdy8Q The Afterschools is the Lincoln, Nebraska-based project of songwriter and multi-instrumentalist Chanty Stovall, whose work combines detailed lyricism with dynamic, live-in-the-room performances. Recorded at Lincoln Analog and Tube with contributions from Eric Harris, Harrison Cass, and additional guest musicians, the album reflects the band’s mix of analog textures, collaborative energy, and narrative-driven songwriting.
Air Traffic Controller
“An earnest quality that oozes authenticity.” — Performer Mag
Indie pop mainstays AIR TRAFFIC CONTROLLER return with their latest single “Going, Going, Gone,” a sweeping, emotionally charged release built around a central theme of escape—from expectations, from routine, and from the weight of staying the same. The single is from the band’s upcoming album See No Evil, due out early next year. Driven by dynamic instrumentation and frontman Dave Munro’s signature vocal delivery, complemented by the soaring and emotive voice of Emi McSwain, “Going, Going, Gone” captures the restless urge to break free.
The track blends urgency and release, pairing infectious melodies with lyrics that explore the tension between staying grounded and chasing something just out of reach. It’s a song about movement— physical, emotional, and internal—and the moment you decide to leave something behind in search of something more. Official Video for “Going, Going, Gone” https://www.youtube.com/watch?v=aVj90v75nUw Air Traffic Controller is comprised of Dave Munro (lead vocals, guitar), Emi McSwain (vocals, keys), Bobby Bornstein (guitar), Joe Campbell (bass), and Adam Salameh (drums)—a lineup whose chemistry and musicianship have become central to the band’s evolving sound. Together, they create a rich, layered sonic landscape that balances precision with emotional weight. Founded by Munro, a former U.S. Navy air traffic controller, the project began with demos recorded during deployment that organically built grassroots following.
Since emerging from Boston in 2009, the band has developed a reputation for crafting songs that feel cinematic yet deeply human—blending indie pop accessibility with elements of folk and electronic production. “Going, Going, Gone” continues that trajectory, leaning into the band’s ability to translate complex emotions into songs that resonate immediately while revealing deeper meaning over time. The theme of escape runs throughout the track—not as avoidance, but as transformation—capturing the instinct to evolve, reset, and move forward. The band’s steady rise has been fueled by a loyal and engaged audience, with over 400,000 monthly streaming listeners and tens of millions of streams across their catalog, including a top track nearing 50 million plays. Rather than relying on viral moments, Air Traffic Controller has built long-term momentum through consistency, authenticity, and a strong connection with listeners.
Alyssa Grace
Artist House recording artist ALYSSA GRACE releases her single “bloodstream” and the response has been immediate, landing with over 100K pre-saves and nearly 1M UGC videos on TikTok. The track marks the third single from the 18-year-old folk-pop singer-songwriter ahead of her debut EP arriving this summer. “bloodstream” was produced by Steven Martinez (Alec Benjamin, Cavetown, Sarah Kays). Official Video for “bloodstream” https://www.youtube.com/watch?v=FOJ4A4wixDg Alyssa says, “‘bloodstream’ is the perfect example of why music is up for interpretation. When I first wrote it, it was about a completely different subject to me. When people online started to share how they related to it, it really showed me how diverse everyone’s interpretations of music can be and seeing that has been, in a weird way, so validating. It helps me know I’m not alone in what I went through.” “bloodstream” follows “picking petals” which was produced by Alexis Idarose Kesselman (Bella Kay, Suki Waterhouse) and Elliott Greer, and landed on the Billboard Top 50 Rock & Alt chart, Top 100 UK Official Charts, and placement on the Shazam Global Singer/Songwriter Charts.
Alyssa burst onto the scene with her debut single “dog with a bone,” which amassed 1 million streams in just 2 weeks and landed on the Spotify Viral Top 50 in 7 countries. Hailing from Torrance, California by way of Boise, Idaho, Alyssa Grace writes with the intimacy of Phoebe Bridgers and the melodic instinct of Gracie Abrams – open-hearted, specific, and impossible to shake. Growing up, Alyssa listened to artists like Dove Cameron and some of her earliest songwriting focused on topics of feminism. Before Alyssa officially moved to California, she was majoring in psychology, which she dropped to go all in on her music career. Alyssa Grace currently holds 467K TikTok followers, 64K on Instagram, and 3.2M monthly Spotify listeners.
Christian Parker, Patrick Cleary, Earl Poole Ball
“Wheels” is the first single from American Cosmic Revival Vol. 2: Miles From Nowhere by Christian Parker, Patrick Cleary, Earl Poole Ball. Featuring legendary pianist Earl Poole Ball, whose career includes work with Gram Parsons, Johnny Cash, The Byrds, and Buck Owens, “Wheels” continues the mission of American Cosmic Revival: preserving and celebrating the spirit of Cosmic American Music while introducing its timeless themes to a new generation of listeners. Originally written by Gram Parsons and Chris Hillman, “Wheels” stands as one of the defining songs of the Cosmic American Music movement. Its themes of longing, uncertainty, and life’s endless journey make it a fitting introduction to Miles From Nowhere, an album centered on heartache, redemption, loneliness, resilience, and the search for home. Official Lyric Video for “Wheels” https://www.youtube.com/watch?v=izPJUplkdyo Built around rich harmonies, acoustic guitars, Earl Poole Ball’s signature piano work, and soaring pedal steel from Gary Jacob, the new interpretation captures both the spirit of the classic era and the musicianship that helped define Cosmic American Music.
Jacob’s pedal steel serves as the emotional centerpiece of the recording, weaving through the arrangement with a sense of longing and wanderlust that echoes the song’s enduring themes. The forthcoming album Miles From Nowhere features an accomplished cast of musicians, including legendary pedal steel guitarist JayDee Maness, whose work with Gram Parsons, The Byrds, and the Desert Rose Band helped shape the sound of Cosmic American Music and country-rock. Joining Parker and Cleary are Gary Jacob on pedal steel, Michael Rinne on bass, Ron Keck on drums, and arranger and multi-instrumentalist Stevie Blacke, whose string arrangements have appeared on recordings by Willie Nelson, Glen Campbell, Chris Isaak, Joe Cocker, and Pink. The album also features Tracer James and other musicians who contributed to the project.
MUSICIANS ON “WHEELS”: Christian Parker – acoustic guitar, vocals, Patrick Cleary – electric guitar, vocals, Earl Poole Ball – piano, Gary Jacob – pedal steel, Michael Rinne – bass guitar, Ron Keck – drums.
https://christianparker.com http://earlpooleball.com/
Corey Arceneaux and The Zydeco Fusion Band
Corey Arceneaux is a veteran Zydeco accordionist, vocalist, songwriter, radio personality and creole zydeco ambassador. Performing professionally since 1991, Corey follows in the footsteps of his great uncle Fernest Arceneaux and great-grandfather Ferdinand Arceneaux. On Accordion Man, Corey is joined by his two sons, continuing a 90-year tradition of zydeco music into the fifth generation. Drawing inspiration from Buckwheat Zydeco, and the ‘Lafayette Zydeco’ sound, Corey’s music reflects a deep connection to Louisiana’s vibrant culture.
He has performed nationally and internationally, including appearances at major festivals like the New Orleans Jazz & Heritage Festival. Accordion Man was recorded at the Dockside Studio in Maurice, Louisiana with The Zydeco Fusion Band, featuring Grammy-winning guitarist Joe “Cookie” Chavis, and multiple Grammy nominee Cecil Green, among other master musicians. Family is central to The Zydeco Fusion Band. Desmond Joseph, Corey’s eldest son, plays bass and produces; Tyler Arceneaux, the youngest, produces, drums, and plays scrubboard; Corey Arceneaux, Jr., the middle son, handles production in the control room. “The Intro (Pull That Thing)” sets the tone with Corey singing about Louisiana zydeco pride and touring life, creating an instant raucous party atmosphere. That atmosphere carries on to title track “Accordion Man,” an energetic number that sees Corey telling the story of his zydeco journey. “I’ve been doing my thing / Traveling all over making this box sing / Spread my culture to everyone that I can pass it on to my sons,” Corey sings. “When It Comes To You” stands as another highlight, an impassioned love song accompanied by tasteful guitar playing from Chavis.
If you’re from Louisiana and familiar with Zydeco, you’ll feel like you got a dose of joie de vivre and “passed a good time” that only a visit home can give you. If you’re not, you’ll quickly recognize what makes Louisiana and its people unique and special. Musicians: Corey Arceneaux: Accordion, Vocals, Cecil Green: Keyboards, Organ, Tyler Arceneaux: Scrub-board, Percussion, Drums, Joseph “Cookie” Chavis: Guitar, Desmond Joseph: Bass, Erica Fox: Featured & Vocals, Shane Bernard: Percussion (5).
Curtis Salgado
“By turns subtle nuance and acute phrasing to potent wailing and blues shouting, Salgado’s vocals cover quite a broad path.” – Glide Magazine “Wiggle Out Of This” is the new single from CURTIS SALGADO’s amazing forthcoming album, Legacy Rewind: Live In ’25. Salgado states: “Recorded live in April of last year, ‘Wiggle Out of This’ is originally from my Shanachie Records debut in 1999. It was written for me by my good friend, Peter Boe, a brilliant piano player and a hell of a songwriter. I hadn’t performed it in years, but playing and recording it live with my peers, who are high-level musicians, was a thrill. Hope you like it!”
Official Video For “Wiggle Out Of This”: https://www.youtube.com/watch?v=wLSlTLmsaAQ
Legacy Rewind: Live In ’25 is a tour de force performance by Curtis Salgado and a 15 piece band, recorded live and filmed at The Triple Door in Seattle, WA on April 5, 2025. On this historic retrospective, Salgado breathes new energy and life into a high impact set list of R&B, Funk, Soul and Rock ‘n’ Roll music from various points in his career, featuring new arrangements using four-part horns and three backing singers. Curtis Salgado toured as a member of the Robert Cray band and also Roomful of Blues before returning to his native Oregon to form his own band and release his debut album in 1991.
Salgado signed with Shanachie Records in 1999, releasing four critically acclaimed albums. He then signed with Alligator Records, releasing his label debut in 2012. His music has dashes of blues, gospel, R&B, jazz, funk, rock ’n’ roll and soul at any given moment. Salgado understands the power of clever turns of phrase and how that burrows into the hearts of his audience. He has performed at major festivals, venues and clubs and is revered worldwide.
MUSICIANS Curtis Salgado – vocal &, harmonica, Keashaun Jones, Margaret Linn, Lindsey Reynolds – backing vocals, Alan Hager, Ben Rice – guitar, John Linn – bass, Gary Harris – saxophone, Timothy Bryson – saxophone, Dave Mills – trumpet, Lars Campbell – trombone, Brady Goss – piano, Brian Harris – B3, Ron Tuttle – drums and percussion.
https://curtissalgado.com/home
Dan Crisci
Jazz pianist DAN CRISCI’s life in music spans far and wide, from academia to church, to jazz clubs, to the stage and screen. Scenes Along The Way catalogs the latter aspect of Crisci’s career as a collection of his tracks that have appeared on the soundtracks of TV shows and films such as Love Story: John F. Kennedy Jr. and Carolyn Bessette, Will Trent, Vladimir, Murdoch Mysteries, and Run Amok. Dan Crisci’s accomplished career includes concerts at New York City and New Jersey venues such as Birdland, The Squire, and Shanghai Jazz, performing with musicians such as Zach Brock (Snarky Puppy), festivals such as Maplewood Jazzfest, as well as a performance at the Overlook Foundation Gala with vocalist Bill Robinson. Dan is also a long-term associate of the Triad Arts Ensemble, accompanying their production of The Fantasticks, and their Canticles for Life AIDS Benefit Concerts, often playing his original jazz music.
In 2024, Dan wrote the score for an independent movie called A Relative Comedy, set to release in 2026. Scenes Along The Way sees Crisci covering a variety of genres within jazz, including Early Jazz (“Around the Block,” “Evening Swing,” “Struttin’ With Some Blues”), Bossa Nova (“East to West”), and Modern Jazz (“Up And Away,” “The Bridge Not Taken”), presenting the fruits of a diverse career.
Personnel: Dan Crisci: Piano, Sue Williams: Bass, Nick Scheube: Drums, Rick Savage: Trumpet, Flugelhorn, Craig Aiken: Bass (3).
Darryl Scotti and Big Yard [Album]
“Raw, soulful, and cinematic—Darryl Scotti makes music that cuts deep and speaks truth.” —Indie Pulse Magazine
DARRYL SCOTTI is a guitarist and songwriter whose musical journey began with a transistor radio and a dream. Poets & Heroes is the latest stop in a storied career that’s included playing and collaborating with such legends as Nancy Sinatra, Sheila E, and Ray Charles. On Poets & Heroes Scotti is joined by Big Yard, a gang of veteran musicians including three members of Pablo Cruise: pianist Cory Lerios, drummer Sergio Gonzales, and bassist Larry Antonio, who also serves as co-songwriter.
Official Lyric Video for “Coming Home” https://www.youtube.com/watch?v=ijyNGaQN6Ws
Scotti is in an empathetic and introspective space on Poets & Heroes, which marries seasoned songwriting with social commentary and emotional soul-searching. “Proof” is a gritty, high-energy Country/Rock song that lays bare the struggle between heartbreak, addiction, and redemption. With raw storytelling and soulful delivery, the song captures the weight of regret while reaching for hope on the other side. On the title track “Poets & Heroes,” Scotti tributes the great American songwriters, channeling the spirit of our poetic heroes—the legends who told stories, painted pictures with words, and gave us meaning through melody and rhyme.
Alongside the original cuts, Poets & Heroes also features a cinematic re-imagining of the Sting classic “Every Breath You Take,” which has already attracted a multi-generational fanbase and international playlist support. With decades of history and fresh creativity fueling what’s next, Darryl Scotti remains driven by one truth: “God’s not done with me yet.”
Darryl Scotti: Acoustic Guitar, Vocals, Grant Geissman: Electric Guitars, Joey Gutos: Electric Guitar, Aaron Howard: Acoustic Guitar, Alex Chacon: Electric Guitar, Larry Antonino: Electric Bass, Fretless Bass Solo, Keyboards, Orchestral arrangement, Background vocals, Sergio Gonzalez: Drums and Percussion, Corey Lerios: Piano. https://darrylscotti.com/
David Haerle
Deeply rooted in personal storytelling, Los Angeles singer-songwriter-guitarist David Haerle draws inspiration from his life, experiences, people, and observations of all that surrounds him. This again rings true with his new single “The Hills of Silver Lake,” where Haerle stays close to home, reflecting on his experience of growing up and growing older in the same Los Angeles-area neighborhood, watching life unfold across familiar streets and landmarks across the span of a lifetime. The intimate track is paired with a music video artfully shot and edited by director Michael Pottle. Official Video: https://www.youtube.com/watch?v=yac8Jdi9S7o “‘The Hills of Silver Lake’ is about living your adulthood in the neighborhood you grew up in. I think it gives you a special view of life as it goes by,” David explains. “You see once-upon-a-time landmarks change or be torn down. At restaurants you’ve been going to forever you watch the waiters age and retire. You see a young couple start a new family in your friend’s old house you played in as a kid. There’s the passing of people you knew and loved. And, of course, through all this, you realize you are also growing older. ‘The Hills of Silver Lake’ is my attempt to capture, in song, this particular experience of bearing witness, and about realizing that I, too, am just passing through.”
The track was written by David and produced alongside co-producer/mixer/engineer and frequent collaborator Jose Salazar. David, who sings the lead vocal and plays electric and acoustic rhythm guitars, is joined by his longtime band–Carson Cohen (bass, backing vocals, string arrangement), Ken Belcher (electric guitars), Reade Pryor (drums and percussion), and Jose Salazar (keyboards)–along with string players Leah Zeger (1st violin, 2nd violin and viola) and Derek Stein (cello).
Erik Rabasca
ERIK RABASCA is a Connecticut-based singer-songwriter and founder of Highest Frequency Records, currently performing at folk venues throughout Connecticut and the Hudson Valley. His forthcoming album New Scrolls (June 5, 2026) is his most focused and personal work yet — a fully-realized rootsy voyage through country folk & swing where classic roadhouse grit meets intimate storytelling, drawing on the lyrical spirit of Dylan, Marley, and Prine. With themes balancing mindful existence and the hereafter, energy and form, looming death and the will to live, New Scrolls shares hard-earned wisdom with weary optimism. No stranger to big moments, Erik Rabasca was hand-picked by Jon Batiste to open his Alive at Five concert series performance in Albany, NY. Rabasca has also opened for Grammy winners Mike Farris, SOJA and Easy Star All Stars.
New Scrolls arrives as Rabasca steps fully into the acoustic spotlight — stripped back, road-worn, and right where he belongs. Fully embracing and transmuting his influences, he performs with ease and joy, continually winning fans over in storied Connecticut venues like SPACE Ballroom, Milford Arts Council, Fairfield Theater Company, Bijou Theater and more. Rabasca will be actively performing through the fall as both a soloist and with The Connecticut Hope Collective at venues large (Sacred Heart University Theater) and small (Cantean), as well as CT Festivals in Bethany, New London and Glastonbury CT.
Personnel: Erik Rabasca-Lead Vocals/Guitars (1-8), Keyboards (2, 4, 6-7), Bass (3, 5, 7), JP Geoghegan-Drums (1-5, 7), Yako Prodis-Bass (1), Bobo Lavorgna-Bass (2, 4, 6, 8), Denise JonesBacking Vocals (3-8), Lys Guillorn, Chandra & Muddy Rivers-Backing Vocals (8), Shandy LawsonMandolin (8), Brian Larney-Keyboards (8), Frank Critelli-Announcer/Host (8).
Fredi Shehadi
On June 26, guitarist, composer, and recording artist FREDI SHEHADI releases “Fredi’s Jump,” the first single from his forthcoming album, ‘Bout Time. Rooted in the traditions of jazz, blues, and early rock ‘n’ roll—the track serves as both a tribute and a reinvention. Rather than recreating a vintage sound, Shehadi filters these influences through his own musical language, creating a performance that feels familiar, fresh, and alive.
The song spent two years on the bandstand before it was recorded. During that time it evolved organically, shaped by live audiences, improvisation, and the collective personality of the musicians performing it. That history can be heard throughout the recording, from its swinging opening phrases and solos to its driving conclusion. A lifelong student of the guitar, Fredi has developed a deeply personal approach to the instrument, performing exclusively with his fingers rather than a pick. The result is a touch and phrasing that allow him to move seamlessly between jazz sophistication, blues grit, and rock ‘n’ roll energy.
At its heart, “Fredi’s Jump” is about joy—the joy of rhythm, conversation, spontaneity, and shared musical experience. It captures a group of musicians listening, responding, and celebrating the moment together. The result is a track that invites listeners not only to hear the music, but to feel it. MUSICIANS Electric Guitar – Fredi Shehadi, Organ – Pat Firth, Electric bass guitar – Michael Visceglia, Alto Sax – Nicholas Biello, Drums – Tony Mason.
GIGI DeNISCO
Seasons is the newest offering from Florida singer-songwriter Gigi DeNisco, presenting a fusion of rock, blues, and adult contemporary styles with influences that include Aimee Mann, The Pretenders, and Curtis David Chapman. Writing and performing since she was young, DeNisco’s musical career has featured such highlights as opening for Willie Nelson, Boz Scaggs, Stevie Nicks, Keith Urban, and Michael Bolton, as well as being voted “Best Rock Vocalist” in the Miami New Times.
The songs of Seasons address faith, love, and contemporary issues of our time. Speaking of lead single “Sidetracked,” Gigi says “I wasn’t sure how the song would fit on the album, but it did! I had watched a sermon about being sidetracked and sat down to write the song on a day when I was angry at my boyfriend. It’s not really a personal song, though I think it’s one everyone can relate to.” “Blue Skies And The Rain,” recorded and produced by Fernando Perdomo (Carmine Appice, Marshall Crenshaw Band, Dave Kerzner), sees DeNisco shifting her focus to the environment, and humanity’s responsibility to maintain it. Another one of Gigi’s favorite tracks is “Everyday,” which is about love and treating the people in your life with kindness. “The song has a reggae beat and is so positive. I’m doing 3-part harmonies in the chorus – Maurice Gibb told me he loved how I harmonized with myself, I finally heard what he was referring to on ‘Everyday’.”
While faith is important to DeNisco, she doesn’t consider herself a “Christian artist.” Says Gigi, “I’m a secular artist who writes and a Christian who has drawn closer to God. My songs reflect that journey. If people who listen to Seasons have their guard up, I hope my songs help lower it and allow them to see things a little differently.”
Personnel: Gigi DeNisco: Acoustic Guitar, Vocals, Jimi Fiano: Guitar, Mandolin, Dobro (1, 3-9), Steve Argy: Bass (3-9), Evoski “Muff” Cunningham: Drums (3-9), Mark “Muggy” Leach: Organ (3-9), Matt Coogan: Bass (1), Guido Marciano: Drums (1), J. Towne: Percussion (1), Fernando Perdomo: Guitar, Bass, Backing Vocals (2), Max Farbee: Organ (2), Guido Marciano: Drums (2).
Greg Piccolo and Heavy Juice
“Greg’s vocals are top line on his new collection of songs. And he never stops innovating in his songwriting, having conversations with jazz, rock, funk, and reggae. Every note and beat has its own meaning and soul.” –Chris Kimsey (producer/engineer for the Stones, Frampton, and Duran Duran) “It was time.” That’s Greg Piccolo’s simple answer when asked, “Why now?” Why take on the demands, investment, and effort of a new release at seventy-five? The answer arrives in Who Knows What the Future Holds—his first major studio recording in 8 years. Following earlier releases on Fantasy Records and Black Top Records, this project reveals a different side of Piccolo. “This recording represents my alternate career as a singer-songwriter,” he says. “These are unpublished songs I’ve written over the years. I’ve opened my vault, and I’m grateful for the chance to finally share them.
I hope listeners find as much joy in them as I have in bringing them to life.” And with legendary producer Terry Manning (Tragically Hip, Staples Singers, Joe Walsh) at the board, you know the album is also going to sound great. Across eleven tracks, Piccolo turns inward, translating a lifetime into song—capturing the highs and lows, the grit and grace, the regrets and the resilience. It’s all there, delivered with wit, emotional clarity, and an artful use of double entendre. But reflection doesn’t come at the expense of rhythm. The immediate response is physical: foot-tapping, head-nodding, get-up-and-move energy. For those who have followed Piccolo since 1969—back to his teenage years playing throughout New England—this groove-forward spirit is no surprise. As a founding force behind Roomful of Blues, Piccolo helped shape a Grammy-nominated sound that powered one of the most enduring touring bands of the ’70s, ’80s, and ’90s. During his tenure, Greg Piccolo wore many hats: lead singer, bandleader, and driving architect of Roomful of Blues’ signature horn-fueled groove. Today, he remains one of the premier tenor saxophonists performing live.
Whether playing or singing, Piccolo approaches each song with precision, purpose, and deep respect for the music. After more than six decades on the road, he still practices nearly every day—pushing himself, refining his craft, and living the music at his core. His contributions have been recognized with induction into the New England Music Hall of Fame and multiple Blues Music Award nominations. Now, with these eleven songs brought out of the vault and into the light, a new chapter begins. The vault, it turns out, is far from empty. Who knows what the future holds.
MUSICIANS: Greg Piccolo – vocals, tenor sax, horn section, Shinichi Otsu – piano, organ, synthesizer bass, backing vocals, Bob Ruggiero – drums, backing vocals, Paul Tomasello – bass, backing vocals, Dean Shot – guitar, Mark Kazanoff – baritone sax, Al Gomez – trumpet. Produced by Terry Manning (RIP).
Greg Piccolo
“Greg’s vocals are top line on his new album. And he never stops innovating in his songwriting, having conversations with jazz, rock, funk, and reggae. Every note and beat has its own meaning and soul.” –Chris Kimsey (producer/engineer for the Stones, Frampton, & Duran Duran)
“Don’t Tell Me The Truth” is the new single from singer/ songwriter/ saxophonist GREG PICCOLO’s forthcoming album, Who Knows What The Future Holds. “It was time.” That’s Piccolo’s response when asked, “Why now?” Why take on the demands, investment, and effort of a new release at seventy-five? The answer arrives with his first major studio recording in 8 years. Following earlier releases on Fantasy Records and Black Top Records, this project reveals a different side of Piccolo. “This recording represents my alternate career as a singer-songwriter,” he says. “These are unpublished songs I’ve written over the years, and I’m grateful for the chance to finally share them.”
For those who’ve followed Greg Piccolo’s career back as far as 1969—back to his teenage years playing throughout New England—this groove-forward spirit is no surprise. As a founding force behind Roomful of Blues, Piccolo helped shape the Grammy-nominated sound that powered one of the most enduring touring bands of the ’70s, ’80s, and ’90s. During his tenure, he wore many hats: lead singer, bandleader, and driving architect of the band’s signature horn-fueled groove. Today, Greg Piccolo remains one of the premier tenor saxophonists on the stage and in the studio.
Whether playing or singing, he approaches each song with precision, purpose, and deep respect for the music. Piccolo’s latest single “Don’t Tell Me The Truth” is no exception: “I had a Memphis rock & roll groove on my mind, so I played it on my guitar and the words appeared! As with most songs I write, I start with a thought that turns into a title and I go from there. In the end, this song is a sad story with a great beat.” Greg Piccolo’s musical contributions have been acknowledged with induction into the New England Music Hall of Fame and multiple Blues Music Award nominations. Now, with a new single and album brought out of the vault and into the light, a new chapter begins. The vault, it turns out, is far from empty. Who knows what the future holds.
MUSICIANS Greg Piccolo: Vocals, Horn section/Tenor, Shinichi Otsu: Hammond Organ, Piano, BG Vocals, Bob Ruggiero: Drums, BG Vocals, Dean Shot: Guitar, Paul Tomasello: Bass BG Vocals, Mark Kazanoff: Horn Section/Baritone, Al Gomez: Horn Section/Trumpet. Produced by Terry Manning.
Jennifer Tefft and The Strange
Jennifer Tefft knows life for you is crazy right now. It’s crazy for her, it’s crazy for her family and closest friends. So when the proverbial shit hits the fan, and that seems to happen with startling frequency these days, the Massachusetts songwriter is asking us to stay strong, remain positive, and, most of all, look for the Silver lining. Providing a sonic compass for life’s storms at maximum volume, Jennifer Tefft & The Strange unleash their new single “Silver” to the world on June 3. Tefft explains, “I constantly look for silver linings — the world is dark and scary these days and I often find silver linings in simple things and moments of joy or beauty.” This soaring new composition, which adds a euphoric pop sheen to the band’s usually gritty and dramatic alternative rock sound, is the follow-up to February’s hypnotic “A Little More,” and last fall’s powerful cover of The Lumineers’ “Salt and the Sea.” And “Silver” arrives just ahead of the band’s appearance at The New England Americana Festival in Medfield, Massachusetts on June 6, marking a return to Tefft’s hometown. Performing live and creating music with her band – the guitarist and powerhouse vocalist is rounded out in The Strange by longtime collaborator and guitarist John Parrillo; Stephen “Sharky” Beccia on bass; and new recruit Chis Jost on drums.
As listeners relate to the message and apply their own dalliances to Tefft’s relatable lyricisms, what they’ll also hear in “Silver” is the sound of a band firing on all creative cylinders, blurring genre lines and experimenting with sound without losing the identity first forged in their 2024 debut album Strange Beginnings. For Tefft, a veteran musician and songwriter whose songs have been heard across international televisions on Cruel Summer, CSI, Stargate Universe, One Life To Live, The Young & The Restless, and elsewhere, the release of her album Strange Beginnings two years ago was a jump-off point for this creative era.
John Primer
After completing a tribute to his humble beginnings in Mississippi, the three-time Grammy® nominated, Blues Hall of Fame artist, JOHN PRIMER decides to pay tribute to the greatest blues club in the world, Theresa’s Lounge, while he and his friends that played down there can still do it. All of these incredible artists got their start down in the basement of Theresa’s Lounge. They were taught how to be professional blues musicians by blues masters. John’s dream of becoming a musician came true at Theresa’s Lounge. It was like home to him and it changed his life forever.
John Primer is from Camden, MS in 1945. He was born on sharecropper land. Growing up working in the fields, searching for a better life, he migrated to Chicago with his mother in 1963. His blues career began on Maxwell St. playing for tips, to then getting his first steady gig at Theresa’s Lounge in the 70’s. John was the band leader for Junior Wells, Willie Dixon, Muddy Waters, and Magic Slim before leading his own Real Deal Blues Band in 1995. He was taught by the masters and is one of the last real bluesmen in the world. He is the REAL DEAL! “The songs on John Primer and Friends’ Tribute to Theresa’s Lounge have a lot of meaning to me. These songs remind me of Theresa’s Lounge. You would hear my teachers singing them. ”Up in Heah“, is a song that Junior Wells would sing to kick off his set, I wrote “7 Nights for 7 Years” especially for this tribute. It’s about how hard I worked and paid my dues at Theresa‘s. I wrote “The Blues is King”, which tells how important it is to keep the true blues traditions intact and alive. Billy Branch sang “Sugar Sweet“, a Muddy Waters song. He was a huge influence on all of us, along with Willie Buck’s version of “Champagne and Reefer” and Carlos Johnson’s “She’s Nineteen Years Old”.
I wrote “We all Need Help”, in the memory of Theresa Needham. She was always giving to people in need. She taught me so much about how important it is to give to those that are in need. The song “Little by Little” is one of my favorite Junior Wells songs. Mary Lane was the only regular woman singer at Theresa’s. I had to include her song, “Mary’s Song” on this album. James Cotton sang John Watkins song, “Here I am Knockin’ at Your Door Again” at Theresa‘s so I asked John to sing it for us. I took John Watkins place after he quit Junior’s house band. The last song was sung every night by Sammy Lawhorn at Theresa’s, “Mean Old World” is a tribute to him. These songs and these musicians mean a lot to me.
We all got our start together at Theresa’s Lounge. We are all in our seventies, eighties and nineties now. I am so happy we were all healthy enough to make this tribute to Theresa’s Lounge together. I am happy to be able to pay tribute to Theresa. I hope you enjoy this album as much as I do.” – John Primer
Lila Wilde
LILA WILDE’s new single “Fault Line” marks a more reflective turn in her career. The song explores the end of a relationship through the lens of perspective, recognizing that heartbreak is rarely one-sided. Written while a relationship was quietly coming to a close, Wilde’s track captures the realization that sometimes no one is to blame—two people can simply drift apart until something gives. Using the metaphor of an earthquake fault line, Lila Wilde paints a vivid picture of emotional tension building beneath the surface. Sonically, “Fault Line” leans into ‘80s-inspired synthwave with a modern indie pop edge, drawing comparisons to artists like MUNA and Holly Humberstone.
“Fault Line” feels both cinematic and energizing, whether it’s a late-night drive or a golden hour dance moment. “Fault Line” has already begun to gain attention and resonate, recently winning the Pop category at the New England Songwriters Music Awards and quickly becoming a standout favorite among fans. With “Fault Line,” Lila Wilde continues to define her lane as an artist who creates music you can dance to, sing along with, and sit with all at once. Lila Wilde is an independent pop artist based in New York, known for blending nostalgic ‘70s and ‘80s influences with modern pop production.
With a background performing across New England and the tristate area, she has built a growing audience through her dynamic live shows and emotionally resonant songwriting. Wilde’s music ranges from playful, retro-leaning tracks to more introspective pop, all tied together by a focus on making listeners feel something—whether that’s joy, catharsis, or connection. MUSICIANS Lila Wilde – vocals, Brendan Keenan (Snarky Puppy, Shawn Mendes, Liberty Devitto) – guitar & synths, Jacob Ott – bass.
Produced by Brendan Keenan.
https://linktr.ee/lilawildemusic
https://www.facebook.com/lilawildemusic
https://www.instagram.com/lilawildemusic
Linda Marks
In her 16th studio album, produced in Nashville by Justine Blazer, including mandolin by Grand Ole Opry royalty Rhonda Vincent, fiddle by Adam Haynes, pedal steel by Smith Curry, keys by Bill Justine and a team of talented artists from the US & Europe, multi award winning singer songwriter LINDA MARKS offers her best songwriting yet. From gorgeous heartfelt ballads like “You’re Not Alone” to songs that will make you smile like “Gardener’s Lament,” Marks continues to write signature social impact songs like “Hidden Bloodlines, Hidden Scars,” “Momma Cries,” and “Pain Changes Everything.” Marks writes from the heart directly to yours.
The title song is about the Los Angeles wildfires set in an historical context. The album includes three duets and autobiographical material. Boston based singer songwriter Linda Marks is a healer at heart, known for lyric-driven social impact songs with singable, heartfelt melodies complemented by her clear, warm, expressive voice. Often compared to Carole King for her heartfelt piano-based songwriting and intimate storytelling, Joni Mitchell for her emotional honesty and lyrical depth, and Norah Jones for her smooth, jazz-influenced phrasing and soothing vocal tone, Marks’ music leaves the listener with a feeling of peace and hope.
Linda Marks has been a Finalist in the Great American Song Contest, the UK Songwriting Contest, and the International Singer Songwriter Awards. Marks has also been nominated for World Entertainment Awards,and Josie Music Awards, and has won multiple Global Music Awards and World Songwriting Awards. She was guest artist on a Grammy nominated album & is a Voting Member of the Recording Academy. “Marks’ songwriting skills have reached a point where is is among the best of them, famous or local.” —Bill Copeland News “A longtime fixture on the Boston music scene.” —The Boston Globe Production team includes Justine Blazer, Doug Hammer & Bobby Holland. Brad Blackwell for Dolby Atmos
Lisa Coppola
“Take Me Higher” is the second single from LISA COPPOLA’s forthcoming album, Showing Up As Myself, which will be released later this year. The track is a cinematic love-story anthem about freedom, trust, and rising together that crosses the boundaries of Americana and Adult Rock. “Take Me Higher” was co-written by an impressive trio including Coppola, along with Isaac Karen and Thorald Koren of Brothers Koren (formerly The Kin). Coppola describes the creative writing process: “the song grew out of a deeply human songwriter’s journey centered on trust, transformation, and emotional truth.” “Take Me Higher” was produced by multi-Grammy®-winning producer Lonnie Park (Sandi Patty, Merle Haggard, Baaba Maal). “Take Me Higher” was inspired by seeing someone I love step into a beautiful new chapter,” says Coppola. “My cousin’s engagement reminded me how powerful love can be when it feels safe, joyful, and expansive.
The song became a celebration of that feeling — being lifted, trusting again, and believing the future can be bright.” Lisa Coppola’s recent work has achieved international recognition, including chart successes: #10 on the iTunes UK Overall Chart, #1 on the UK Easy Listening Chart, #1 on the iTunes World Music, and her single “Simon’s Kiss” reached the Top 40 on the U.S. iTunes Rock Chart. A two-time Josie Music Award winner and longtime Recording Academy voting member, Coppola continues to build momentum with her signature blend of powerful vocals, emotional storytelling, and message-driven artistry.
Personnel: Lead Vocals: Lisa Copola, Acoustic Guitar: Thorald Koren, Lonnie Park, Background Vocals: Thorald Koren, Isaac Koren, Lonnie Park, Bass: Thorald Koren, Lonnie Park, Drums: Lonnie Park, Electric Guitar: Thorald Koren, Lonnie Park, Guitar: Lonnie Park, Keyboards: Thorald Koren, Lonnie Park.
The Massacoustics
The MASSACOUSTICS are an Americana duo from Western Massachusetts blending roots rock, altcountry, and classic storytelling into a raw, stripped-down sound powered by gritty guitars, bass, drums, and tight brothers’ harmony. Everything on Water Keeps Rising was recorded live, with drummer and bassist Matthew Thompson playing each instrument one handed — no loops or backing tracks, no studio tricks the band can’t reproduce on stage — demonstrating the band’s commitment to authenticity and capturing the concert sound that has made them a successful touring act. Guitarist and lead singer Andrew Thompson and drummer and bassist Matthew Thompson both made the move to Nashville in 1991.
As The Thompson Brothers on RCA Records, they toured across the U.S. and Europe — including Germany with Bill Wyman & the Rhythm Kings — and their earlier records feature guest appearances by Steve Earle, Sam Bush, Al Kooper, and Rusty Young of Poco. The brothers have also shared the stage with Willie Nelson and opened for Jerry Jeff Walker.
Official Video For “Water Keeps Rising” (Live)
https://www.youtube.com/watch?v=YEaOfNEp3TE
On Water Keeps Rising a heartland rock sound meets evocative lyricism, with personal songs of hardship and resilience, joy and pain. The raw recording style compliments the album’s honest and heartfelt lyrics, resulting in a collection of songs that convey unvarnished truths. With a sound that sits comfortably alongside artists like Jason Isbell and other modern roots rock artists, The Massacoustics are building momentum through consistent touring, new releases, and grassroots audience growth. With their latest release Water Keeps Rising, The Massacoustics continue to prove that two brothers, a great story, and a lot of road miles & talent can still build something real. The Massacoustics are: Matthew Thompson (Drums, Bass, Vocals) and Andrew Thompson (Guitar, Vocals).
Name Droppers
The Name Droppers are dropping more than names this Spring with the release of their new single “Let’s Live Together” on HMG Recordings. The Connecticut based blues-rockers’ new track comes in advance of their 4th album of the same name on HMG Recordings, due out this summer. The band’s last three albums have seen consistent radio play and chart action on radio stations across the country and in Europe.
The Name Droppers features singer/songwriter/guitarist Rafe Klein, keyboardist Ron Rifkin, drummer Bobby T Torello, and bassist Scott Spray. Both Torello and Spray are former members of Johnny Winter’s band, and both have been inducted into the New England Music Hall of Fame. Torello has also performed with Michael Bolton and Grace Slick. Spray played bass on Winter’s final album, Step Back, which won the Grammy for Best Blues Album in 2015. Official Video for “Let’s Live Together” https://www.youtube.com/watch?v=mc9HFv4IX5U “Let’s Live Together” also features the vocals of Simone Brown who has sung background on the band’s two previous releases “Cool Blue Shoes,” and “Starshine,” and is featured prominently on the new album. “The whole band is excited about releasing our 6th studio album,” says singer and guitarist Rafe Klein.
“It may be our best one yet. It’s soulful blues with a touch of R&B. Simone Brown, our backing vocalist, is fantastic, and on this album she shines.” The album was produced by Vic Steffens, who is a two-time New England Music Awards winner for Producer of the Year. “Let’s Live Together” also features the world-renowned musician Crispin Cioe on saxophone. As a member of the Uptown Horns, Crispin has toured and recorded with a list of artists that shaped rock & roll history like the Rolling Stones, James Brown, Peter Wolf, Joe Cocker, the Ohio Players, Tom Waits, and the list goes on. Crispin is also noted for his sax solo on the James Brown smash, “Living In America.”
MUSICIANS Rafe Klein – guitar, vocals, Scott Spray – bass, Bobby T Torello – drums, Ron Rifkin – keyboard, Simone Brown – vocals, Crispin Cioe – saxophone.
Neybas - Album
“Partying, dancing, and rock n roll. That’s precisely what the Neybas provide.” — MTV Online Hello, Earth is the sixth album from Connecticut based Alt-Americana-Classic-Rock-Jam-Band Neybas (pronounced “NAY-bahz”). Hello, Earth is an eclectic, sunny, and socially conscious LP, with a mix of rock genres, including funk, jam, ska, and alt-rock. Neybas’ music is lively and danceable, reflecting the sounds and vibes of the music of the late ‘60s and early ‘70s.
For decades, Neybas have been a favorite in the northeast. Their mix of hooky, upbeat original material combined with “deep cut” cover songs, helped them win a large following, multiple readers polls, and inclusion in The Essential Western New England Songbook. As an acclaimed live act Neybas has played with such artists as Georgia Satellites, Tom Snyder, Joan Osborne, Rick Derringer, and Ratt. Lyrically, Hello, Earth is concerned with the many facets of the human condition (“Certified Human. No AI” the cover proudly proclaims).
Both grounded and lighthearted, Neybas touch on everything from political consciousness to love, to history, to the possibility of human colonization of other planets, all backed by the band’s signature party-ready sound. Suitably, the album’s musical style is as varied and lifeaffirming as its lyrics, forging a sound that’s simultaneously classic and contemporary. “Live It Up” is a rowdy ska number about partying and enjoying life, followed by “Billionaires,” a tongue-incheek alt-rock song encouraging the ultra-wealthy to go to Mars so those of us who appreciate Earth can enjoy the planet without them.
The interplanetary theme continues on “Mission Control, Are You Receiving?,” which flips the perspective to that of a lonely astronaut pining for home. “Road to Mississippi” recounts the campaign of the Freedom Riders, re-examining their story and courage from a contemporary context. Hello, Earth is an album for the energetic and the introspective, the sound of a legendary live act skillfully translating their sound to recording.
Musicians:
Kevin Bornstein: Bass, Vocals, Nicholas “Toad” Eckert: Acoustic and Electric Guitars, Vocals, Emmet Hale: Drums, Vocals, Greg Marshall: Keyboards, Russ Waesche: Acoustic and Electric Guitars, Lap Steel, and Pedal Steel Guitars, Mandolin, Vocals. With: Alex Giosa: Percussion, John Bolduc: Additional Vocals, Percussion. Producer: John Bolduc. www.Neybas.com
Neybas
“Are You Ready?,” an edgy alternative rock song, is the new single from NEYBAS’ forthcoming album, Hello, Earth, due out March, 2026. Neybas (pronounced “nay-bahz”), are an Alt-Americana Trad Rock Jam band from Connecticut. Hello, Earth is their sixth studio LP. Neybas’ music is energetic and danceable, reflecting the sounds and vibes of the music from the late ‘60s and early ‘70s. For decades, Neybas have been a favorite in the northeast. Their mix of hooky, upbeat original material combined with “deep track” cover songs, helped them win a large following and multiple readers polls and awards over the years — including “Best Original Music” and “Best Live Performance” in the Hartford, CT area.
MUSICIANS Kevin Bornstein – Bass & vocals, Nicholas “Toad” Eckert – Background vocals, Emmet Hale – Drums, Russ Waesche – Guitars & vocals, Alex Giosa – Cowbell
Nunz
Sal NUNZ is a singer songwriter based in New Haven, Connecticut. Nunz’ third album, Some Kind of Heaven, explores themes of love, loss, and self-discovery, wrapped in driving rock n roll and ethereal instrumentation. Backed by a stellar lineup that includes Scott Spray (Johnny Winter Group), Al Ferrante (Cindy Lauper), Crispin Cioe (Tom Waits), Jordan Giangreco (Steal Your Funk) and others, Some Kind Of Heaven is a tour de force of rock energy.
Having performed at intimate venues and festivals alike, NUNZ captivates audiences with his raw, highenergy live shows. With a growing fanbase and critical acclaim, Sal Nunz is an artist on the rise, bringing a fresh yet timeless voice to the rock n roll scene with a new album sonically assembled by award-winning producer Vic Steffens (Blues Brothers, Whitney Houston, Harry Connick, Jr.).
MUSICIANS Bobby T Torello: Drums, Joey Diamondz: Drums, Scott Spray: Bass, Ryan Newman: Guitar, Marc Amendola: Guitar, Chris Bickley: Guitar, Al Ferrante: Guitar, Christine Ohlman: Vocals, Thee Stout: Vocals, Crispin Cioe: Sax, Jordan Giangreco: Keyboards, Vic Steffens: Keyboards.
Nuke The Soup
Unfurling with a single acoustic melody and an emotive, steady voice, NUKE THE SOUP’s new single“I Ride Alone”immediately radiates quiet humanity that never wanes. As momentum builds, each layer reflectsNuke TheSoup’s tendency to emulate natural-world processes that often mirror human experience. With surfing in mind, one of songwriter MarkDavison’s favorite activities, the track harnesses the pure ambition and drive it takes to be the only one out on the water. It’s a testament to those who track spiral after spiral as they hurtle towards the shore, resolved to catch the waves regardless of how hard they crash. While some might call it stubborn, or even reclusive, Nuke The Soup stands for the fiercely independent, those“facing and chasing the unknown”using only their hearts and minds as a compass
Live Video Performance of “I Ride Alone”
https://www.youtube.com/watch?v=ltMjDG41gEY
When the wild calls, whether through swelling oceans, jagged peaks, or forgotten trails, compelling collectives like Nuke The Soup listen. For decades, they have acted as self-appointed sonic travel guides of the natural world and the human condition. They draw from the limitless metaphors rooted in the earth, while revering those who dare to tame the great unknowns. Fronted by Baltimore-based Mark Davison, their rock-driven sound spans a wide emotional and instrumental range, encouraging listeners to look both inward and outward, to reflect on what holds them back and pursue what pushes them forward. Oftentimes, their tracks strike an unexpected chord, offering a vulnerability that never feels overwrought or dishonest. Instead, their approachable sound lingers, holding a magnifying glass to contemporary life in ways that feel both tangible and refreshingly offbeat. Their latest record, Dancing on the Edge, is poised to grow even more resplendent with time, as Nuke The Soup continues to give listeners new ways to come along for the ride. www.NukeTheSoup.com
Nuke The Soup
When two people decide to bare their souls to one another completely, love can be one of the most magical forces on Earth. But when communication falters, love can turn torturous and unbearably fragile. Wrapped in a blanket of delicate, wistful acoustic strums, NUKE THE SOUP’s new single “Lost On You” unravels the struggle of a lover just trying to “keep it all together” as his relationship teeters on the verge of collapse. This narrator doesn’t know where it all went wrong—when their connection shifted into misunderstanding—but he can feel the tension and detachment closing in.
Official Video for “Lost On You” https://www.youtube.com/watch?v=PzwJEBIwJJc
Left to wonder whether they’re on the same wavelength, he asks the difficult questions, unsure if it’s already too late to salvage what they once had, only for her to echo his doubts right back. Yet the soft shake of the tambourine and bright synths suggest that not everything has slipped away, because they’re still fighting to hold on. Filled with quiet anxiety and tender devastation that seeps through every crack, “Lost On You” gives voice to the many who’ve felt love lose its way—striving to be heard even as their bond frays and falls apart at the seams.
Nuke The Soup is often heralded as a beacon of rare, nuanced simplicity—the kind of music that shimmers like the surface of an expansive lake, reflecting life’s scenery with a dreamy ripple that enchants listeners from the very first listen. Guided by creative highflier Mark Davison, the Baltimore-based project continues to evolve and surprise, crafting a distinct sound unafraid to embrace the playful, emotive, and even sophisticated sides of the human experience. All the while, they venture deeper into the inevitable unknowns, exploring original musical terrains year after year. “Lost On You” is from Nuke the Soup’s latest album, Dancing On The Edge, their most poignant and polished offering yet, brought to life by Grammy-winning producer Kevin Killen (U2, Peter Gabriel, Elvis Costello) and Gerry “Spooky Ghost” Leonard (David Bowie), and they’ve been generating buzz and acclaim ever since. Each track on Dancing On The Edge feels as if it comes straight from the heart of someone familiar—someone who knows what it means to love and to lose, to hope and dream, and to use music as a vessel for sorting out the mysteries of both the inner and outer world, one song at a time.
https://www.nukethesoup.com/
Nuke The Soup-Album
NUKE THE SOUP’s new album Dancing On The Edge was produced by Grammy-winner Kevin Killen (U2, Peter Gabriel, Elvis Costello) and Gerry “Spooky Ghost” Leonard (David Bowie). The album features a lively ensemble of standout musicians, including bandleader Mark Davison, keyboardist Brian Simms, guitarist Gerry Leonard, bassist Mike Mennell, and drummers Chester Thompson and John Thomakos. Together, this fiercely independent band crafts delicious rock-and-roll, blending introspective and socially conscious lyrics with infectiously catchy melodies and an effortless natural spirit. The 11 songs on Dancing On The Edge were written and recorded within two years, during a time when bandleader Mark Davison lost both parents. Davison states, “Although the song ‘I Ride Alone’ is about facing mortality & new challenges, the overall album is as a celebration of my parents and the full lives they lived.
I’m celebrating by skiing, surfing & creating music!” We certainly see Mark’s good time attitude toward life in the album’s summery single, “Big Dave Wave.” Nuke The Soup’s previous albums, Make Waves Not War (2009) and Deeper (2018), boldly tackled “big picture” topics such as politics, climate change, and the complexities of personal relationships. Now, with their highly anticipated album, Dancing On The Edge, NTS continues to push boundaries, delivering a collection of energetic, ear wormy songs that explore life’s deeper questions while keeping listeners hooked with their signature sound.
Randy Noonan
RANDY NOONAN’s new release Imaginary Journey consists of four songs and is essentially about traveling. The first track, “World of Laughter,” is about defying gravity and ascending to a magical place beyond the skies. Since this is physically impossible, the lyrics point to the imagination as being the vehicle that allows the listener to picture and, in a sense, travel to such a place. It’s also about peace and allowing yourself to be authentic by removing the mask from your face with no fear of judgement from others because others are doing it freely too. “Take Me There” brings us back down to earth where a romantic couple discusses leaving for a place over the horizon where life can be better.
The lyrics paint a picture of where they are now and how they will begin their journey by setting sail to a new destination inside their minds while lying by a campfire under crystal clear stars. “Trip to Tennessee” is about a futuristic time when hypersonic travel will be possible for everyday people. It would take under fifteen minutes to reach Nashville from NYC when traveling at hypersonic speed. Breakfast and dinner in Tennessee with lunch squeezed in at New York would be possible in the same day! Imaginary Journey’s final track, “Breaking Point,” is about a lady experiencing a breakdown over the phone while talking to her boyfriend and driving her car on a dark desert road to California. She knows that by the time she crosses the state line the sun will begin to rise and relieve her from the previous night’s pitch-dark drive.
She’ll soon reunite with her lover and they’ll realize that their lives, at least for now, seem to be a twisted game, and the only solution is to keep rolling along singing their songs. The cover art for Imaginary Journeys was designed to give visuals of all four songs on the record. If you look closely you’ll notice details that reflect the themes of the various tracks. MUSICIANS Randy Noonan: Vocals, drums, percussion, rhythm guitar, John Spignesi: Lead and rhythm guitars, Ben McNamara: Lead, rhythm, and bass guitars, Lucas Dellaporta: keyboards, Joe Jeffery: Bass guitar.
Ruby Otis
For RUBY OTIS, no time is better than now. Ruby Otis is a music project by Los Angeles singer songwriter Sabrina Judge: soulful vocals rooted in truth. Sabrina writes intimate songs about the human condition – music for today that bears an understanding of what came before it. “Weather Systems” is Ruby Otis’ new single from an upcoming EP release, produced and mixed by Aaron Glascock, Sabrina’s husband. Aaron is an Oscar nominated sound designer and drummer who cut his teeth in the early LA punk scene. “Weather Systems” is intimate and transportive.
Sabrina sings the ballad with comforting guidance in the face of uncertainty. Sabrina’s musical path started in the late ‘80s when she co-founded an acoustic duo that played the vital Angelino coffee shop scene. In 1992, the duo blossomed into Wheel, a power trio that delivered dynamic alt.rock and became a regular in the Los Angeles alternative scene. The band appeared in Steven Soderbergh’s film The Underneath, performing “Fall From Mine,” which is also on the soundtrack. In 2002, Sabrina released an independent self-titled album featuring the song “I Remember,” which was featured on Dawson’s Creek. Since then, many moons have cycled, illuminating Sabrina’s soulful words and music. This is Ruby Otis!
MUSICIANS: Sabrina Judge – vocals, piano, keyboard, Ben Getting – Bass, John Palmer – Drums, percussion.
Sounding Arrow
“The aesthetic of this record matches perfectly the lyrical meaning within the songs, summoning evenkeeled positivity and hope. Spinning this record improves whatever space you’re in.” — Seth Avett, The Avett Brothers “The weightlessness of the vocals, the way their melodies cascade around jangly tones unfurls into immersive storytelling.” — Glide Magazine Veteran recording artist Scott Kinnebrew returns with Skyman, the newest release from his solo project, SOUNDING ARROW. An ode to easeful living, the soundscape of Skyman feels intimate, layered, and expansive. Co-produced by Gary Jules (“Mad World” from the Donnie Darko soundtrack) and mixed by Bill Reynolds (Band of Horses, The Avett Brothers), Skyman weaves a vivid sonic landscape rich with the textures of rock, folk, country, blues, British invasion, R&B, and pop. It’s a brew that resists classification, as it lands somewhere between tradition and invention — what Kinnebrew thinks of as “sonic impressionism.” The songs on Skyman are rooted in a personal narrative, but stretch far beyond autobiography, they sound like they could be telling anyone’s story. From Kinnebrew: “Gary calls it ‘the last great American novel’, I call it cool like the rock you find on the beach that ends up on your dashboard.”
Official Video for “Why You Frontin?”
https://www.youtube.com/watch?v=ewrYAzFFHPc
Over some 30 years, Scott Kinnebrew has shared the stage with a long list of renowned artists he admires, including The Black Crowes, The Avett Brothers, The Lumineers, Sturgill Simpson, Dawes, Lynyrd Skynyrd, Lissie, Levon Helm, Garth Hudson, Blind Melon, Steve Miller Band, Gov’t Mule, and The Doobie Brothers. His former band, Truth & Salvage Co., released two records on Sony’s Megaforce label, appeared on Jimmy Kimmel Live, toured Iraq to perform for U.S. troops in 2009, and racked up 250,000 road miles in five years. Produced by Scott Kinnebrew & Gary Jules. Engineered by Scott Kinnebrew at Captain’s Quarters, Asheville, NC & Gary Jules at Carport Recorders, Asheville, NC. Mixed by Bill Reynolds at Fleetwood Shack, Nashville, TN.
MUSICIANS Scott Kinnebrew: acoustic guitar, vox, lap steel, harmonica, percussion, bass, keys, harmonica; Gary Jules: drums, guitar, bass, keyboards, banjo, mandolin; Bill Reynolds: bass; Ben Peeler: lap steel, Katie Crawford: background vox.
Sounding Arrow
“The aesthetic of this record matches perfectly the lyrical meaning within the song, summoning even-keeled positivity and hope.” —Seth Avett, The Avett Brothers
Veteran recording artist and touring musician Scott Kinnebrew is back with a second single, “Lucky Shaman,” from his solo project SOUNDING ARROW. What began as a series of bedroom demos evolved into a fully realized ode to easeful living. As with the entire forthcoming album Skyman, both the music and message feel intimate, layered, expansive. As Kinnebrew explains, “the track is about a shaman whose love was humble enough to save the whole world. Although it may seem conceptually deep, it’s set to a buttshaking Brit blues invasion groove.“
Official Video for Sounding Arrow’s “Lucky Shaman” https://youtu.be/fkYyZmzbC5U
Co-produced by Gary Jules (“Mad World” from the Donnie Darko soundtrack) and mixed by Bill Reynolds (Band of Horses, The Avett Brothers). Over some 30 years, Scott Kinnebrew has shared the stage with a long list of renowned artists, including The Black Crowes, The Avett Brothers, The Lumineers, Sturgill Simpson, Dawes, Lynyrd Skynyrd, Lissie, Levon Helm, Garth Hudson, Blind Melon, Steve Miller Band, Gov’t Mule, and The Doobie Brothers. His former band, Truth & Salvage Co., released two records on Sony’s Megaforce label, appeared on Jimmy Kimmel Live, toured Iraq to perform for U.S. troops in 2009, and racked up 250,000 road miles in five years.
MUSICIANS Scott Kinnebrew- vocals, guitar, bass, keys, percussion Gary Jules- drums, guitar
Tobin Mueller and Tomás Martínez Vol. 1
“One continually has the sense that the piano is Mueller’s alter ego and when he sits down to play, to arrange or improvise, he is engaging in an exciting dialogue of discovery with his inner self.” – Fanfare Magazine Pianist-composer Tobin Mueller has teamed up with heralded saxophonist Tomás Martinez and others to create a fresh sound as presented in Mueller’s Blue Side (Vol. 1), which will be released April 21, 2026. The recordings were mixed and mastered at Factory Underground Studio, produced by Kenny Cash, as well as Mueller himself. The warmth and context of each piece brings to mind the great studios of the past. They put Mueller in the room with the performers, surrounded by a widely mic’d piano and the fullness of Martinez’s saxophone. A truly masterful set, worthy of multiple listens.
Blue Side Vol. 1 runs the jazz gauntlet, from contemporary jazz, blues, bee-bop, post-bop, with a little chill thrown in. Most are intimate duets, scaled down arrangements (which is a departure for from Mueller’s recent albums). The tunes demonstrate the breadth of Mueller’s writing. He has recorded with Grammy winners Dave Brubeck, Ron Carter, Michael Hedges, Donny McCaslin, Jon Anderson (from Yes), Brian Welch (“Head” from Korn), Bob Lanzetti (Snarky Puppy), Carl Fischer, Sal Giorgianni, Roy Agee, as well as Grammy nominees Dane Richeson (Blue Note Records), Ken Schaphorst (Jazz Composers Alliance), Janet Planet, Noah Hoffeld (Brad Mehldau) and more.
Tobin Mueller has collaborated with Grammy winner and Blues Hall of Fame guitarist Paul Nelson on two albums (Prestidigitation and Standard Deviations). Contributions on Mueller’s recordings from famous drummers include Scott Rockenfield (Queensrÿche), Ruben de Ruiter (Amsterdam Funk Orchestra, John Patitucci Band), Lamar Moore (Lettuce), Mike Nappi (J Geils Band). Early in his career, Mueller had the honor of playing with Maynard Ferguson. He appears on over 40 albums.
www.TobinMueller.com
Tobin Mueller and Tomás Martínez Vol. 2
Blue Side Vols. 1 & 2 helps solidify the unique voice of veteran composer Tobin Mueller, as well as the emerging talent of Tomás Martinez, a young alto saxophonist who should be watched closely. The combination of the two has produced an astounding collection, notable for its breadth of emotions, beauty and innovative sound. Critics have heralded Mueller’s composition style as “Impressionistic Modernism,” a next stage development of modal jazz, incorporating aspects of classical romanticism as well as lyrical impressionism. The tracks “Yin Yang” and “Dénouement” are excellent examples, but perhaps best is “Phases of the Moon” in which Martinez plays the alto across the entire range of the instrument, from lowest note to altissimo.
Breathtaking. Others have associated Mueller with “instrumental storytelling,” a nod to his stream-of-consciouness melodies and arranging prowess, resulting in emotive narratives. “Fallout Shelter,” with its chilling sirens and howling moments, surrounded by passages that suggests both alarm and resilience, is a case in point. Blue Side Vols. 1 & 2 runs the jazz gauntlet, from contemporary jazz, blues, bee-bop, post-bop, with a little chill thrown in. Most are intimate duets, scaled down arrangements (which is a departure from Mueller’s recent albums), including a gorgeous rendition of Gershwin’s “Summertime” and numerous tunes that demonstrate the breadth of Mueller’s writing, such as the heartfelt and evocative “The Shape of Love” and the cinematic, soaring “Just Above the Ground,” featuring a gorgeous saxophone contribution from Martinez. Tobin Mueller has recorded with Grammy winners Dave Brubeck, Ron Carter, Michael Hedges, Donny McCaslin, Jon Anderson (from Yes), Brian Welch (“Head” from Korn), Bob Lanzetti (Snarky Puppy), Carl Fischer, Sal Giorgianni, Roy Agee, as well as Grammy nominees Dane, Ken Schaphorst, Janet Planet, Noah Hoffeld (Brad Mehldau) and more.
Personnel: Tobin Mueller: Acoustic Piano, Standup Bass, Tomás Martinez: Alto & Tenor Saxophones, Juan Torres Fernández: Alto & Tenor Saxophones (1,12), Shahar Haziza: Drums (1,12,27), Ruben de Ruiter: Finger Cymbals, Chimes, Bodhran.