2Lot and Aloe Blacc
The emerging genre-bending outfit 2ŁØT has teamed up with GRAMMY-nominated artist Aloe Blacc to release “Immortal,” a bold new single inspired by the ancient philosophical concept of memento mori—a Latin phrase meaning “remember you must die.” Far from morbid, the song is a rallying cry for courage and clarity, urging listeners to reflect on life’s impermanence and ask a single transformative question: What would I do if I weren’t afraid?
Fusing 2ŁØT’s genre-defying sound with Aloe Blacc’s soul-stirring voice, “Immortal” is both a spiritual provocation and a musical revelation. The track draws its power from the timeless reminder that tomorrow is never guaranteed— and dares the listener to live fully, bravely, and with purpose. “‘Immortal’ is about unlocking the part of you that’s waiting to be set free,” says Rudy Love Jr. of 2ŁØT. “It’s a reminder that fear is the biggest barrier between you and your true calling. If you knew your time was short, what would you change?” “From a lyrical standpoint, it’s one of the strongest songs I’ve been a part of writing,” reflects Aloe Blacc. “This line—‘when I tumble over, the broken pieces fit together better in the end’—reminds me of the Japanese art of kintsugi, where broken pieces are mended with gold. The broken parts of us, when they’re healed, become the strongest parts of us.”
Earlier today, Aloe Blacc and 2ŁØT appeared on KTLA in Los Angeles for the first live performance of their new single “Immortal.” The stripped-down set offered a raw, intimate take on the track’s powerful message, paired with a short on-air interview that gave viewers a behind-the-scenes look at the collaboration and the meaning behind the song. Check out the official lyric video for “Immortal” HERE. “Immortal” builds on the conceptual foundation laid by 2ŁØT’s debut album Entropy, which draws from another powerful law of existence: the 2nd Law of Thermodynamics, which states that all systems tend toward disorder over time.
Where Entropy explored how to make peace with chaos, Immortal calls for action—to transcend it. With singles like “Never Knew You,” “Arrow of Time” (featuring Michael Kang of The String Cheese Incident), and “Call For Me,” 2ŁØT has built a body of work rooted in personal resilience, social impact, and philosophical depth. In April, the band released “Entropy (Paul Oakenfold Remix),” a euphoric reinterpretation of their title track by one of dance music’s most legendary producers. It marked the band’s entry into the global electronic scene, expanding their reach without compromising their core message. On June 13–14th, Aloe Blacc and 2ŁØT will reunite to perform “Immortal” live at Somewhere Festival & Conference in Wichita, KS—one of the most socially conscious festivals in the country. The event will feature genrespanning acts like Deadmau5, Flying Lotus, and Suki Waterhouse, as well as immersive tech, interactive art installations, and a community-driven conference. For more information and to purchase tickets, visit: somewherefest.com.
At the heart of Somewhere Festival is a shared ethos with 2ŁØT: that music can be a vehicle for meaning, connection, and social change. Festival organizers partner with nonprofits including The Phoenix, 1 Million Strong, Create Campaign, and others to offer real-world opportunities for impact—turning the festival into a launchpad for community action and dialogue. “It’s about giving artists the space to create, but also the tools to build sustainable careers,” adds Rudy Love Jr. “The knowledge to make an impact, and the community to support them along the way.”
Allison Sounds
ALLISON SOUNDS is a musician and singer-songwriter who blends folk, soul, rock and country into a whirlwind experience of sound on her new album, I Was Born In Color. Sounds often describes her music as “music for the heart.” She is an authentic performer who seeks to inspire and uplift audiences with her original music. Allison Sounds started playing guitar and writing songs at 11 years old. Her grandparents were professional musicians and her parents taught her piano when she was 7 years old. After college, she traveled to Sedona, Barbados, and Madison WI, learning and crafting her skill, ending up in Minnesota where she connected with New Folk Records. Allison sees music as a tool for healing, communication and collaboration.
She has a deep interest in melodic transmutation and is drawn to creating healing spaces through harmonics, alternative tunings, vivid lyrics, rhythms and expression vocal tones.
Musicians: Allison Sounds: Vocals, Acoustic Guitar, Piano, Electric Guitar on tracks 1;2;8 and 9, Mike DuBois: Drums, Pat Smith: Bass Guitar on tracks 1, 3, 6, 9 and 10, John Wright: Bass Guitar on Tracks 2, 4, 5 7 and 8; Electric Guitar on Tracks 2 and 9; Electric Baritone Guitar on tracks: 2 and 7; Mandolin on tracks: 2, 4 and 7; Percussion on track 6, Dave Beatie: Electric Guitar on track 5, Steve Lehto: Electric Guitar on tracks 4 and 7, Tommy Stevens: Trumpet on Track 3, Jason Craft: Hammond Organ, Chico Perez: Percussion on tracks 1, 3, 5 9 and 10, Dave Fiely: Electric Guitar on track 10, Mandolin on track 1.
Beware Wolves Vol. 8
Eight volumes in, BEWARE WOLVES is still full of voices. He can conjure fury, bellowing and banging out rough and rude chords. Or coax sweeter and sweeter melodic strains from his instruments, the melodies elegant and intricate. But definition remains elusive. We who would classify fall behind, blinded by reflections in this stylistic hall of mirrors. Here on Volume 8, Beware Wolves continues to molt, shedding skins to reveal a stark but peaceful self. It’s the dawn of a new understanding, a warming up to what can’t be known. The opener, “Take it From Me,” is breezy and bluesy, a litany of world-weary advice. Scraps of familiar found lyrics signal the direction of travel: “All things must pass” is one. And an echo of Iris Dement: “We all find out in the end.” “The Cure” is soulful and haunted by foreboding. It’s centered all the same. “Mighty ocean,” he sings, “with your smoothing motion/make me a round stone / So I can roll away home.”
This is erasure as embrace, a new level of enlightenment unlocked. “The Fourth,” meanwhile, with its raw, minorkey beauty, recalls the heart-on-sleeve brilliance of Thom Yorke or Elliot Smith. “On The Take,” there’s a new Zombies-style feel: at once snappy, assured, jangly, lush, and just shaded with sadness. “Today” closes Volume 8 with another confident step into the ether. A haunting minimalist string figure cycles beneath a wash of chords before melting down into a warm bed for the whole thing to collapse on.
Brother Steve
BROTHER STEVE is making a powerful entrance onto the music scene with the release of his highly anticipated debut EP Learning to Breathe. Rooted in deep storytelling, heartfelt emotion, and a signature blend of rootsy acoustic textures and searing slide guitar, Learning to Breathe is a soul-stirring journey through love, loss, self-discovery, and redemption.
Inspired by personal struggles and triumphs, Brother Steve—born Steve Snuffer—channels a lifetime of experiences into his music, crafting songs that resonate with raw honesty and undeniable authenticity. Drawing influence from legends like the Allman Brothers and Lowell George of Little Feat, Brother Steve’s sound is a compelling fusion of Southern rock, blues, and Americana. His impassioned vocals—often compared to Chris Robinson of The Black Crowes—carry a depth and grit that bring his lyrics to life, making each song feel like a lived-in story. With standout tracks like “Move On,” “What Say You!?” and the title track “Learning to Breathe,” the debut EP showcases Brother Steve’s knack for crafting infectious melodies and evocative lyrics that linger long after the music fades. “Music has always been a lifeline for me,” says Brother Steve. “This record is about finding hope in the wreckage, struggle in the strength, and learning to embrace who you are, and understanding that every breath is another chance to give yourself some grace and start again.”
Brother Steve’s musical journey began with his grandfather, a quiet West Virginia picker who instilled in him a love for the guitar at an early age. After a winding path that led him from South Boston as a youth to the suburbs of Walpole, Massachusetts, Brother Steve honed his craft by playing alongside older more seasoned musicians, often sneaking into bars as a teenager to perform. With Learning to Breathe, Brother Steve establishes himself as a rising voice in the Americana landscape, bringing a refreshing yet timeless sound to the genre. Steve Snuffer (vocals, guitar, keys), Steve Marchena (guitar), Keith Munslow, Michael O’Shea & Roger Lavallee (keyboards), Robert West & TJ Morris (bass), Russ Stemglass (drums).
Collaborations
The ensemble behind the project COLLABORATIONS is brought to life by a dedicated family of musicians and vocalists. Ed Daniels lays the foundation with music and the theme for the songs, while cowriters like Anais Preller, Suzanne Kiss, Heather Joseph, Carla Zipay, Sylvia Jones, Sheila Fabrizio, Vita Rose Taytro, Bonnie Lee Panda and Alex Bach bring the theme to life while adding layers of emotion and depth with either their voices or lyrics. The harmonies are further enriched by Kevin Monroe’s direction of the backup vocals and Devotion’s talents, creating a rich and evocative sound. The recording sessions, held at Horizon Music Studios in West Haven, CT, are overseen and produced by Vic Steffens with coproducer by Matt Oestreicher, who also handles the orchestrations. The Collaborations Band, featuring notable award winning musicians such as Bobby Torello, Scott Spray, Al Ferrante, Jon Peckman, Tim DeHuff, Bill Holloman and Dave Eggar on strings brings each piece to life with skill and passion.
Curtis Stigers
The origin of CURTIS STIGERS’ new album Songs From My Kitchen, Volume 1 goes back to early pandemic days when he sheltered at home with his wife and several dogs. As a means of staying in touch with his fans, Stigers performed 50 streamed live concerts c/o his kitchen in Idaho. The weekly series was dubbed Songs From My Kitchen and featured Curtis playing songs, surrounded by his dogs, who didn’t hesitate to whine or wrestle or bark during a performance.
The freedom of playing solo with only his voice and guitar allowed Curtis to rediscover some of his older material, songs from his albums and songs previously unrecorded, all in an unplugged, impromptu setting. It was also a chance for him to hone his acoustic guitar skills, something he’d always used for songwriting, but not performing. Highlights from Stigers’ 11-track album include the upbeat “Good To Know You” about finding a longlost parent, the heartfelt growing up song “I Have Everything” featuring pianist Larry Goldings (John Mayer, Maceo Parker, John Scofield), and the heartbreaking “Until You Were Gone,” in which Stigers realizes too late that he was in love with a friend who has departed.
Curtis Stigers burst onto the recording scene in 1991 with his eponymously-titled debut album, which sold 1.5 million copies and spawned several self-penned hit singles, including “You’re All That Matters To Me,” “Never Saw A Miracle” and the Top 10 hit “I Wonder Why.” The next year the singer/songwriter/saxophonist recorded Nick Lowe’s “(What’s So Funny ‘Bout) Peace, Love, And Understanding” for The Bodyguard soundtrack. Stigers recorded two more pop-oriented albums in the 1990s and made guest appearances on several albums, including two by his early musical mentor, the legendary pianist Gene Harris.
Curtis Stigers
CURTIS STIGERS’ single “Good To Know You” is from his upcoming new album, Songs From My Kitchen, Volume 1. The uplifting and heartfelt track speaks to the mixed emotions of seeking and finding a long-lost parent. According to Stigers, who didn’t meet his biological father until 2012, “‘Good To Know You’ is my musical reflection about gaining a father at midlife and learning how to navigate that relationship. Spoiler: It has a happy ending.” Official Video for “Good To Know You” https://www.youtube.com/watch?v=m2rt2jNsgD4 The origin of Curtis Stigers’ new album goes back to early pandemic days when he sheltered at home with his wife and several dogs.
As a means of staying in touch with his fans, Stigers performed 50 streamed live concerts c/o his kitchen in Idaho. The weekly series was dubbed Songs From My Kitchen and featured Curtis playing songs, surrounded by his dogs, who didn’t hesitate to whine or wrestle or bark during a performance. The freedom of playing solo with only his voice and guitar allowed Curtis to rediscover some of his older material, songs from his albums and songs previously unrecorded, all in an unplugged, impromptu setting.
It was also a chance for him to hone his acoustic guitar skills, something he’d always used for songwriting, but not performing. Curtis Stigers burst onto the recording scene in 1991 with his eponymously-titled debut album, which sold 1.5 million copies and spawned several self-penned hit singles, including “You’re All That Matters To Me,” “Never Saw A Miracle” and the Top 10 hit “I Wonder Why.” The next year the singer/songwriter/saxophonist recorded Nick Lowe’s “(What’s So Funny ‘Bout) Peace, Love, And Understanding” for The Bodyguard soundtrack. Stigers recorded two more pop-oriented albums in the 1990s and made guest appearances on several albums, including two by his early musical mentor, the legendary pianist Gene Harris.
David Haerle
“I want to share with you my brand new single ‘To Dance On Sands (Ode To Marta Becket),” says singer / songwriter DAVID HAERLE. “A source of inspiration to me for this song is the late dancer, actor, choreographer and painter Marta Becket.” David’s music blends rock, folk, and Americana with heartfelt storytelling, warm guitar tones and a nostalgic yet modern vibe that feels both personal and expansive.
His previous album releases, 2023’s El Camino Sierra, 2020’s Death Valley and 2018’s Garden of Edendale, have all been well reviewed in many notable music publications, including Billboard, American Songwriter, Goldmine, Under The Radar, Glide, Rock and Roll Globe, Americana Highways, Elmore Magazine and others. Official Video for “To Dance On Sands (Ode To Marta Becket)” https://www.youtube.com/watch?v=R6RaU8EJ7TQ
David Haerle grew up surrounded by music and the music business. His father, Martin, emigrated from Germany to pursue a dream of working in the country music industry and co-founded the independent label CMH Records, setting up shop in the garage and side room of the family home in Los Angeles. David’s maternal grandparents co-owned the first full time country music radio station in Nashville, WENO, with their partner Cal Young.
The King of Country Music himself, Roy Acuff, took David onstage at the Grand Ole’ Opry before a full house when he was 9 years of age. After picking up his first guitar (a Fender Stratocaster) around age 13, David played in rock and alternative new wave bands during the ‘80s, before becoming a music agent at ICM. When his father passed away suddenly, David took over the family business at just 24 years-old. He has served as president of CMH Records, now CMH Label Group, ever since.
MUSICIANS:
David Haerle: lead vocal, electric and acoustic rhythm guitars,
Carson Cohen: bass and backing vocals,
Ken Belcher: electric, acoustic guitars and backing vocals,
Reade Pryor: drums and percussion, Jose Salazar: keyboards.
The Far Out
“Laurel” is the latest slice of high-energy funk-pop from the rising Boston sextet THE FAR OUT. “Laurel” is the second single from the band’s debut album, which will be released this summer. “Laurel,” with its Yacht Rock cool, charismatic swagger, and alluring sax n’ brass sass, throws it back to the golden era of ‘70s songwriting with clever lyrical wordplay and charming innuendo, juxtaposing the music’s optimistic and upbeat nature with a heartbreak situation just bubbling under the surface. According to lead vocalist Olivia Lowe, “‘Laurel’ is deceptively not a love song. It’s about continuing to see someone romantically despite realizing that it’s going nowhere because they’ll never commit. The lyric ‘rest on my Laurel’ is a play on words, knowing that it’s easier to stay with this person than make the effort to leave. I was able to write this happy-sounding, confident song because I’m now on the other side of the situation it describes.” Lowe adds, “I also think ‘Laurel’ epitomizes The Far Out sound.”
For Lowe, band life in The Far Out is a happy relationship – and that comes out in the effortless cool and creative chemistry displayed by the collective of close friends and multi-instrumentalists, rounded out on “Laurel” by core members Ellie Dolan (trumpet, backing vocals); Ryan Fremont-Smith (bass guitar, backing vocals); Drew Phillips (drums); Colin Senechal (tenor saxophone); and Henry Zagarella (keys, organ, backing vocals). Adding to the dynamism and depth of the track, “Laurel” also features an extended cast of Gerry Dolan (trumpet); Andrew Fremont-Smith (trombone, backing vocals); and Jamie Fremont-Smith (trumpet).
It all adds up to a sonically engaging song that suggests The Far Out have a seat at Boston’s blossoming funk- and soul-pop scene, where bands like Ripe and Couch have recently gone on to national acclaim. It’s the sound of a band just getting started, and finding a delectable rhythm on the fly with each new track in the catalogue. The Far Out is: Ellie Dolan: Trumpet, vocals, Ryan Fremont-Smith: Bass guitar, vocals, saxophone, Olivia Lowe: Guitar, flute, vocals, Drew Phillips: Drums, Colin Senechal: Saxophone, guitar, Henry Zagarella: Keys, vocals.
Gravel Project
“Love The Life” is the first single from The GRAVEL PROJECT’s forthcoming album, Find What You Need, slated to be released on June 13. “The song celebrates the life two people have built together,” says bandleader Andrew Gravel. “It’s a reminder of all the reasons that their relationship is worth fighting for.” The track features lead vocals by Andrew, joined by R & B/Soul artist, Jen Kearney. Official Video for “Love The Life” https://www.youtube.com/watch?v=HWHMkBNFj84 The Gravel Project is a modern roots-rock band based in Boston. The group is the brainchild of singer /guitarist /songwriter Andrew Gravel, and their new album Find What You Need also features Andrew’s brother Jordan Gravel on Hammond organ and keyboards, Dave Fox on drums, Eguie Castrillo on percussion, and Jesse Williams on bass.
Both “Love the Life” and the upcoming album were recorded at Power Station New England (a replica of the legendary New York City Power Station/Avatar Studios) with Grammy-winning producers John Paterno (Gov’t Mule, Bonnie Raitt, Robben Ford) and Greg Ogan (Rihanna, Bruno Mars, Kelly Clarkson). FFO: Tedeschi Trucks, Marcus King, Gary Clark Jr.
Joe Marcinek Band
Joe Marcinek Band’s The Groove Session is the newest funky, jazzy, rock album from one of America’s most dynamic live acts. The Groove Session sees Marcinek recording for the first time with jazz piano great Jesus Molina along with long-time collaborators Ronnie and Manny Sanchez, whose band Groovesession inspired the album’s name. Marcinek is also host of the Dead Funk Summit concert series featuring the likes of George Porter Jr. (The Meters) and Melvin Seals (Jerry Garcia Band). Marcinek is also a member of Seals’ band Terrapin Flyer.
Marcinek has also collaborated with Bernie Worrell (ParliamentFunkadelic, Talking Heads), Kris Myers (Umphrey’s McGee), Shaun Martin (Snarky Puppy), and Jim Loughlin (moe.), among many others. The Groove Session sees Joe Marcinek Band at the top of their game, expertly translating live concert energy into a studio project filled to the brim with deep and danceable tracks. Ronnie Sanchez’s funky bass licks complement Molina’s virtuosic piano playing on “Funky G Sus (Slow)”; its sister track, album opener “Funky G Sus (Fast)” is a brow-furrowing, head-bopping toe-tapper. “Broad Strokes” is a chilled out groovy number with a tight rhythm provided by drummer Manny Sanchez. The Groove Session is a can’t-miss release for fans of genre-bending jammy music. Joe Marcinek: Guitar, Jesus Molina: Piano, Manny Sanchez: Drums, Ronnie Sanchez: Bass, Greg Spero: Keyboards, Howard Levy: Harmonica, Tracy Silverman: Electric Violin.
Jennifer Hill
“Jennifer Hill dials in a bluesy torch sensibility on Love Bomb.” –Eric Danton, Freak Scene JENNIFER HILL’s new album Love Bomb is about withstanding and becoming stronger from adversity—gun violence, abuse, bullying—and using it as a Phoenix from the ashes to fulfill one’s dreams and destiny. The album also displays Hill’s versatile musical abilities; her songs and performances will sometimes remind you of Tori Amos, Amy Winehouse, or Fiona Apple, but the sound is distinctly Jennifer’s own. A 10-track collection of hard-won wisdom accrued over the years, Love Bomb sounds like Hill has the right to be angry or vengeful, but instead, she tilts toward a spirit of defiance and resilience.
Joining Jennifer Hill on Love Bomb are an impressive array of seasoned performers, including horn player Bill Holloman (Chic, Gatlin Bros., Bruce Springsteen), guitarist Tim Palmieri (Lotus, Kung Fu, Karl Denson), guitarist June Millington (Fanny, Wild Honey, The Svelts), multi-instrumentalist Bob Schwecherl (Few Cents Short, Grandpa’s Grass), bassist Bobo Lavorgna (Aztec Two-Step, Batu), cellist Jeffrey Chen (Cargo Cult Revival, Ernest Hem ‘n’ Haw), and backing vocalist Stout (Alicia Keys, Santana, John Mayer). The album’s sonic brilliance is directed by legendary producer Vic Steffens, who has worked with artists like Rolling Stones, Harry Connick, Jr., and Bobby Brown.
Jennifer Hill has a dramatic streak that manifests in her strong, bright voice around musical arrangements based on piano and steeped in horns and guitar. Her vocals ring through the rafters on “Made of Candy” over guttural, burlesque-show trumpet and a rolling piano vamp. On “Erased,” one of a handful of slower jams, restrained piano accompaniment contrasts with wringing emotion in her voice as she recounts a destabilizing relationship. Besides focusing on her own music, Jennifer Hill in 2008 founded SWAN Day CT, an annual music & arts event to Support Women Artists Now. More than 1,000 musical acts & artists have participated in SWAN Day CT, which is part of the international SWAN Day observances.
Jerry Burton - Great American Soul Book, Reimagined Vol.1
On Great American Soul Book, Reimagined Vol. 1, JERRY BURTON takes a fresh look at the great American Soul songs and infuses them with a contemporary and new sonic approach. The result is a one-ofa-kind creative effort. Using the stable of longtime session musicians that make up his band, Jerry has utilized their singular skills and taken the old tunes into a new dimension. Burton is a veteran entertainer, producer, composer, and arranger, whose latest effort encapsulates a lifetime of work from the American Soul Book. His long career has taken him from the chitlin circuit of his native Alabama, where he started out at 12 years old, to the bright lights of major world stages as a performer and conductor.
Burton’s forty year producing career has brought us artists as diverse as Ernesta Dunbar, Justine Keyes, Ivory, Amielle, and Barbara Walker (featured on “Compared To What”). Burton’s rendition of “Try A Little Tenderness” features vocal harmonies sure to delight fans of Otis Redding’s recording of the song. Jerry’s charismatic vocals continue on “My Girl,” and the composition Burton contributes to the collection himself, “Sha La Girl,” is a breezy number that fits in nicely with the classics. Great American Soul Book, Reimagined Vol. 1 is a collection of masterful performances of old classics well-suited for soul fans young and old.
Musicians: Bass: Lee Smith, Drums: Eric Johnson, Keyboards: Tom Lawton, Aaron Graves, John Avarese, John Conohan, Guitars: Twig Smith, Kevin Joella, Richard Tucker, Trumpets: Henry McMillian, Saxophones: Jay Davidson (solos), Louis Taylor, Trombones: Jared Antonacci, Background Vocals: Barbara Walker, Tamara Brody, Terri Bagwell, Yvette Rudd, Haven Merritt
www.JerryBurton.com
Jerry Burton - Compared to What
JERRY BURTON’s “Compared To What” is the second single from his upcoming album, Great American Soul Book Reimagined Vol. 1. Burton is a veteran entertainer, producer, composer, and arranger, whose latest effort encapsulates a lifetime of work from the American Soul Book. His long career has taken him from the chitlin circuit of his native Alabama, where he started out at 12 years old, to the bright lights of major world stages as a performer and conductor.
His producing career has brought us artists as diverse as Ernesta Dunbar, Barbara Walker, Justine Keyes, Ivory, and Amielle, over the past forty years. According to Burton, “’Compared To What’ features the dynamic vocals of Barbara Walker and the track itself has a driving bass line, dynamic horn section, and a great hook. The song was originally written as a protest song, but is probably most well-known for the 1969 recording by Les McCann.” With his forthcoming album, Jerry Burton takes a fresh look at the great soul songs of his youth and infuses them with a contemporary and new sonic approach. The result is a one-of-a-kind creative effort. Using the stable of longtime session musicians that make up his band, Jerry has used their singular skills and taken the old tunes to an entirely new level. www.JerryBurton.com
Jerry Burton
I chose to record Soul Man because it is the ultimate American soul song and thus the flagship of my album, Great American Soul Book, Reimagined. Vol l. It’s staying power is singular. This release marks its third incarnation since originally performed by Sam and Dave in the sixties ( whom I saw perform it live). Secondly , it was performed by the Blues Brothers of Saturday Night Live fame, who even used the original backing musicians of Steve Cropper( guitar) and Donald ‘Duck’ Dunn( bassist), on their recording and live dates. And now, of course, my take on it. It is everything that I like about authentic soul music, a great hook, great singers and a great band with screaming horns. Soul Man lent itself to reinterpretation like few other songs did. There were many great soul songs out there to chose from to be the flagship of my new album, but in choosing Soul Man, I chose what is arguably one of the greatest soul songs ever written. www.JerryBurton.com
Joshua Ray Hudson
“Journos has that rare ability to make a statement while remaining entertaining and musically engaging.” — Malcolm Burn, DJ @ WKNY & Grammy-winning producer The new JOURNOS single “Noble Cause” is a 2:45 roots-rock gut punch that cuts through the partisan noise with one simple, powerful truth: Love is still the only noble cause. With their sophomore album, The Burning Question, just weeks away, Journos returns with their Springsteen-meets-Stapleton second single. Journos is the unlikely but undeniable collaboration of punk-pedigreed guitarist Ryan Abbott and bluecollar balladeer Bryan Russo.
Two road worn artists with wildly different resumes but a shared obsession: telling stories that hit hard and hang around. Abbott cut his teeth on the boardwalks and basement bars of Ocean City, Maryland, scraping together gigs and saving summer-job money to buy his first Strat. That teenage hustle turned into a genre-spanning musical education, from surf punk tours with The Phantom Limbs, to studio musician, to acoustic gems with The Dead Pens.
He has worked in reggae, soul, funk, and folk; and somehow managed to write a 22- minute rock opera about the Elephant Man along the way. Russo meanwhile, carved out his own lane in the Mid-Atlantic with six independent albums and a voice that’s drawn comparisons to Billy Joel and a young Tom Waits. His 2018 album Pennsyltucky was a finalist in the Great American Song Contest, and he has shared the stage with Lukas Nelson, Trombone Shorty, and The War and Treaty. Together, Abbott and Russo are Journos: A roots-rock outfit with the grit of old-school punk, the heart of classic Americana, and the lyrical muscle of two guys who’ve lived a few lives already. Their 2022 debut In The Key of WTF! earned spins on college and indie radio nationwide, and their new material, including the upcoming album The Burning Question, pushes even deeper into the fire.
Journos
“Journos has that rare ability to make a statement while remaining entertaining and musically engaging.” — Malcolm Burn, DJ @ WKNY & Grammy-winning producer The new JOURNOS single “Noble Cause” is a 2:45 roots-rock gut punch that cuts through the partisan noise with one simple, powerful truth: Love is still the only noble cause. With their sophomore album, The Burning Question, just weeks away, Journos returns with their Springsteen-meets-Stapleton second single. Journos is the unlikely but undeniable collaboration of punk-pedigreed guitarist Ryan Abbott and bluecollar balladeer Bryan Russo.
Two road worn artists with wildly different resumes but a shared obsession: telling stories that hit hard and hang around. Abbott cut his teeth on the boardwalks and basement bars of Ocean City, Maryland, scraping together gigs and saving summer-job money to buy his first Strat. That teenage hustle turned into a genre-spanning musical education, from surf punk tours with The Phantom Limbs, to studio musician, to acoustic gems with The Dead Pens.
He has worked in reggae, soul, funk, and folk; and somehow managed to write a 22- minute rock opera about the Elephant Man along the way. Russo meanwhile, carved out his own lane in the Mid-Atlantic with six independent albums and a voice that’s drawn comparisons to Billy Joel and a young Tom Waits. His 2018 album Pennsyltucky was a finalist in the Great American Song Contest, and he has shared the stage with Lukas Nelson, Trombone Shorty, and The War and Treaty. Together, Abbott and Russo are Journos: A roots-rock outfit with the grit of old-school punk, the heart of classic Americana, and the lyrical muscle of two guys who’ve lived a few lives already. Their 2022 debut In The Key of WTF! earned spins on college and indie radio nationwide, and their new material, including the upcoming album The Burning Question, pushes even deeper into the fire.
Major Spark
MAJOR SPARK is the duo of songwriter Mark Goodman and producer Brian Charles, two Bostonbased longtime friends and musical partners in crime. Mark has a rich history in the fabled indie/underground music scene, forming the band Magnet in 1995, and collaborating with Moe Tucker of The Velvet Underground and also David Lowery of Camper Van Beethoven. Mark penned more than 500 songs and released 10 albums over the past few years. Brian brings unique talent as a highly sought-after producer, engineer, and songwriter with an impressive list of clients, including Dispatch, Don Was, Marina & the Diamonds, Charlie Musselwhite, Weakened Friends, and Jesse Ahern. “The Other Side” is the first single from Major Spark’s forthcoming album Walk Among The Poppies. This strident indie-rock earworm kicks off with a harmonica solo by Brian Charles, and then offers words of encouragement to someone facing life’s dark struggles.
According to Goodman, “it’s a message encouraging a young friend to exit a dark place and join others in embracing life and adventure to destinations unknown.” “The Other Side” is propelled by a drum loop of Moe Tucker (The Velvet Underground) culled from the Magnet song “Julie.” Walk Among the Poppies will be out in September, marking Major Spark’s first release since the 2021 debut album Beautiful Noise. Although Major Spark explored a variety of genres from dance-pop to high energy surf rock on their debut album, Walk Among the Poppies finds them flourishing in a new artistic chapter, pushing sonic boundaries while delivering a cohesive rock experience. Musicians Vocals: Mark Goodman. Backing Vocals: Marissa Nadler, Bass, Guitar, Keys, Harmonica, Percussion: Brian Charles, Drums: Moe Tucker
moe.
Circle of Giants is moe.’s 14th studio release, marking a monumental moment as they celebrate 35 years as a band and launch a National Tour! A testament to their resilience, evolution, and boundless creativity, the album arrives alongside an exclusive studio performance of their lead single, “Ups and Downs,” capturing the band’s raw energy and musicianship in a live setting. “It feels good to celebrate after the amount of shit we’ve been through,” says bassist/vocalist Rob Derhak with a good-natured laugh. Guitarist/vocalist Al Schnier adds: “We have always found our way forward because we have each other.”
Chuck Garvey, guitarist/vocalist and co-founder, concludes: “It’s this brotherhood and our extended moe. family that always gets us through.” Blending blues-infused rock, ethereal psychedelia, and expansive improvisation, Circle of Giants channels personal loss into songs filled with grace, humor, and hard-fought wisdom. With the addition of keyboardist Nate Wilson, who officially joined the band in 2023, the album marks a new chapter for moe., capturing their most collaborative and dynamic sound yet. Glide Magazinepraised the album, writing, “Circle of Giants captures moe. in their most collaborative state with plenty of creative energy left in the tank.” Official Video for “Ups and Downs”: https://www.youtube.com/watch?v=4fcHM3QN0kc Circle of Giants is a reflection of perseverance in the face of adversity.
As the band prepared for their 30th-anniversary celebration, bassist/vocalist Rob Derhak triumphed over cancer, only for the pandemic to bring everything to a standstill. Just as they regained momentum, co-founder Chuck Garvey suffered a life-altering stroke. Against the odds, Garvey made a remarkable recovery and returned to the stage, only for Derhak to face another devastating personal loss with the passing of his son Eddie, to whom Circle Of Giants is dedicated: “For my son and friend who never did anything small.
His hugs were massive and reaffirming. He remains a giant to all who knew him.” As a creative catharsis, moe. reconvened at Derhak’s barn studio in Vermont after the initial sessions to record more material, including Wilson’s song “Giants.” Additional recording for the album occurred at The Bear’s Den in Freeport, Maine.
In support of Circle of Giants, moe. is embarking on an extensive U.S. tour, bringing their high-energy performances to fans across the country. Stops include The Fillmore in San Francisco, Brooklyn Bowl in Philadelphia, and The Eastern in Atlanta. Later in the year, they’ll headline major festivals including Mountain Jam and Northlands, sharing the stage with acts like Goose, Khruangbin, and The String Cheese Incident.
MoonShroom
“MoonShroom has a touch of heartland rock mixed with old-timey twang.” –Americana Highways Like the great cross-over acts who’ve come before them, Kansas City quartet MOONSHROOM have finetuned an eclectic mix of influences, churning out a funky, Americana-drenched sound rooted in both the nostalgic and the cosmic unknown. The band—Lily B Moonflower on guitar and vocals, Jake Keegan on dobro and vocals, Zach Bozeman on upright bass, and Colby Allen Walter on mandolin, electric guitar, and vocals—create a unique sonic tapestry utilizing each member’s background and specialty to a tee. The latest single from their upcoming debut album, Take a Trip, “Somewhere on a Mountain” was born amidst a major change in dobro player Jake Keegan’s life. “I wrote this song amidst a past music project of mine falling apart during the pandemic,” he recalls. “We had hit the road hard for five years building, only for it to end abruptly due to several factors out of our control.” While unfortunate, Keegan eventually recognized the demise as a stepping stone into something exciting and different.
“Ultimately, the universe had a weird way of shaking up my life in order to make way for the new,” he says. “Now, I couldn’t be happier with the music we are creating with MoonShroom.” The energy is palpable on the multiple dobro breaks Keegan plays throughout “Somewhere on a Mountain.” While mostly a bluegrass-with-drums setup, the wildly-experimentative group twist and turn along the way, building tension musically to release at exactly the right time, jumping between half-time and train beat feels and ripping solos and verses. Like the rest of Take a Trip (out June 27th), “Somewhere on a Mountain” feels like a band feeding off of the energy of the crowd in real time; the MoonShroom way shining just as bright in the studio as it does on stage.
Nuke The Soup
Baltimore-based rock singer-songwriter Mark Davison is the principal creative for NUKE THE SOUP. From the forthcoming album Dancing On The Edge, their new single “Biggest Storm” was produced by Grammy-winner Kevin Killen (U2, Peter Gabriel, Elvis Costello) and Gerry “Spooky Ghost” Leonard (David Bowie). The track features a lively ensemble of standout musicians, including keyboardist Brian Simms, guitarist Gerry Leonard, bassist Mike Mennell, and drummers Chester Thompson and John Thomakos. Together, this fiercely independent band crafts delicious rock-and-roll, blending introspective and socially conscious lyrics with infectiously catchy melodies and an effortless natural spirit. Creatives like Davison draw from real-life experiences to craft music that feels honest and fresh. For Mark, an avid skier, being sidelined by back issues presented an immense challenge. The thought of missing out on powdery, freshly fallen snow taunted him—so much that he could no longer bear it. With the difficult choice between physical recovery and soulful rejuvenation, Mark decided to follow his heart, heeding the call of the mountains.
With its catchy hooks and bouncy melody, “Biggest Storm” mirrors the pure, free-spirited joy of gliding down those snowy peaks. Nuke The Soup’s previous albums, Make Waves Not War (2009) and Deeper (2018), boldly tackled “big picture” topics such as politics, climate change, and the complexities of personal relationships. Now, with their highly anticipated upcoming album, Dancing On The Edge (out April 4), NTS continues to push boundaries, delivering a collection of energetic, ear wormy songs that explore life’s deeper questions while keeping listeners hooked with their signature sound.
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NUKE THE SOUP’s new album Dancing On The Edge was produced by Grammy-winner Kevin Killen (U2, Peter Gabriel, Elvis Costello) and Gerry “Spooky Ghost” Leonard (David Bowie). The album features a lively ensemble of standout musicians, including bandleader Mark Davison, keyboardist Brian Simms, guitarist Gerry Leonard, bassist Mike Mennell, and drummers Chester Thompson and John Thomakos. Together, this fiercely independent band crafts delicious rock-and-roll, blending introspective and socially conscious lyrics with infectiously catchy melodies and an effortless natural spirit. The 11 songs on Dancing On The Edge were written and recorded within two years, during a time when bandleader Mark Davison lost both parents. Davison states, “Although the song ‘I Ride Alone’ is about facing mortality & new challenges, the overall album is as a celebration of my parents and the full lives they lived.
I’m celebrating by skiing, surfing & creating music!” We certainly see Mark’s good time attitude toward life in the album’s summery single, “Big Dave Wave.” Nuke The Soup’s previous albums, Make Waves Not War (2009) and Deeper (2018), boldly tackled “big picture” topics such as politics, climate change, and the complexities of personal relationships. Now, with their highly anticipated album, Dancing On The Edge, NTS continues to push boundaries, delivering a collection of energetic, ear wormy songs that explore life’s deeper questions while keeping listeners hooked with their signature sound.
Professor Louie and the Crowmatix - ALBUM
Grammy-nominated all-star band Professor Louie & The Crowmatix from Woodstock, NY have been expanding the borders of the Americana, Roots & Blues genres. The group began as the studio ensemble for Aaron Hurwitz’s musical productions for The Band. Rick Danko, bass player and singer of The Band, christened him “Professor Louie” due to his work with The Band and its individual members. Hurwitz coproduced and performed on The Band’s last three albums. Crowin’ Around the new album by Professor Louie & The Crowmatix on Woodstock Records are seven biographical, creative original songs written by Professor Louie & Miss Marie and three songs with new interpretations by artists Professor Louie produced: The Band, Commander Cody, Graham Parker and one instrumental interpretation by the genius composer Moon Dog.
Besides being recording artists, Professor Louie & The Crowmatix also perform 150 shows a year in the US and abroad. They’ve been inducted into the New York State Blues Hall of Fame and hold a permanent place in the Canada South Blues Museum. Professor Louie is also the recipient of the Robert H. Chambers Award for Excellence in the Traditional Arts from Common Ground On The Hill in Maryland. ~ The Crowmatix ~ Professor Louie (keys-accordion,vocals), Miss Marie (vocals-percussionist-keys), Frank Campbell (bass-vocals), Todd Mihan (guitar-vocals), Dan Hickey (drums), Woodstock Horns
Ray Barnard
“Ray Barnard’s new album sounds like Donald Fagen fronting the Black Pumas, riffing on Blue Dream and Red Stripe. There’s also a punchy Roots-Rock strain running thru it. Ray sings with a sardonic grin – the world keeps thrusting humility upon him, so he keeps ducking & swinging.”– SJW Record Review Twin Cities-native RAY BARNARD wrote, arranged and produced his fifth solo album, And The Horse You Rode In On. On his new release we hear Barnard’s continued fascination with fusing Soul, R&B, Reggae, and Roots-Rock while incorporating live rhythm tracks. It’s a fascination Barnard has been pursuing for over three decades.
The grooves on And The Horse You Rod In On travel to different places—reggae, world-beat, tex-mex—like a low-profile Paul Simon. And the splendid rhythm section – Jeremy Johnson, Blair Krivanek, Nick Salisbury, and Greg Schutte – play the changes like a well-oiled machine. An overall theme on And The Horse You Road In On is feeling like a stranger in one’s own hometown. The track “Scufflin’” is about discovering that self-preservation is not a solo pursuit. “Closer To God” is a gospel tune about natural temples and experiencing spirituality on one’s own. “Greenlight” is a straight up love letter that, according to Barnard, is about “the girl who gave me the key to the highway.”
Before Ray Barnard began his solo career, he led the roots-rock group The Copperheads for twelve years. The group released three albums and was known for mixing Country and R&B. The Copperheads also played high profile shows with Junior Brown, Chris Scruggs, Rosie Flores, the Iguanas, Randy Weeks, Charlie Robison, Shooter Jennings, Ty Herndon, Jack Ingram, the Oak Ridge Boys. Barnard also played sideman for Frederick Thomas & Natural Selection, along with Minneapolis-Saint Paul acts such as In2ition, Bill Geezy, Molly Maher, Paul Bergen, the Dan Lowinger 4, Becky Kapell & the Fat Six, and Erik Koskinen.
“Minnesota’s best kept secret for 15 years running.” – Frogtown Blogosphere
Steve Gregory
Guitarist Steve Gregory’s debut album Frolic is a collection of instrumental tracks rooted in soulful jazz and flavored with a good dose of earthy rock, blues and funk. Although this may be Gregory’s first release as a solo artist, he’s a vastly experienced musician who has toured as guitarist for Ray Charles, Frankie Valli, Anjani, Alphonse Mouzon, and Gordon Goodwin’s Big Phat Band. Besides his full-on touring stints, Steve Gregory has also performed with Macy Gray, Michael Buble, Patti Austin and many others, and has recorded music for numerous television shows.
Joining Gregory is an all-star ensemble that includes Jimmy Kimmel Live keyboardist Jeff Babko (James Taylor, Sheryl Crow, Steve Martin), bassist Eric Sittner (Patti Austin, Josh Nelson), and drummer / Grammy-nominee Ray Brinker (Tierney Sutton, Joe Cocker, Pat Benatar, Gordon Goodwin’s Big Phat Band). Highlights of Frolic include the upbeat earworm “Tell Me What You Feel,” the laid back “Hey, Marvin,” and the cool-jazz vibe of “After School.”
Tobin Mueller
Celebrate spring with TOBIN MUELLER’s thrilling new arrangement of Herbie Hancock’s first hit, “Watermelon Man.” Featuring Grammy-winning guitarist Paul Nelson, NYC’s Birdland Band director David Dejesus (flute/saxes), Netherland’s Ruben de Ruiter (congas, bongos), rising drummer Isaiah Schmidt, and visionary musician Tobin Mueller (arrangement/keys/bass). Official Video for Tobin Mueller’s “Watermelon Man” https://www.youtube.com/watch?v=_coDH-hJTsQ More psychedelic and fuller than the original, utilizing a larger band, Mueller’s “Watermelon Man” illustrates through fusion jazz the growing throng of morning street vendors, adding players and rhythms until it becomes an urban cacophony, then it slowly recedes into dusky blues as day turns into night. David Dejesus’ opening and closing flute solos are a true highlight.
Tobin Mueller’s use of two fretless bass lines drives the arrangement. Paul Nelson’s guitar work weaves in and out in unpredictable ways, adding constant spice, blending rock and jazz. The combination of Ruben de Ruiter’s conga and Isaiah Schmidt’s drumming gives the tightly arranged piece a sense of evanescent improvisation. “Watermelon Man” is originally from Herbie Hancock’s 1962 hard bop album, Takin’ Off. Released when he was 22 years old, the track is imbued with elements of bebop, R&B and blues. Hancock also recorded a more contemporary version of the track in 1973 that appeared on his album Head Hunters. And now Tobin Mueller has created his own arrangement and interpretation of Hancock’s fusion jazz classic for 21st century audiences. Tobin Mueller’s next featured album release will be Fragments (Deluxe Edition), coming out at the end of May and featuring Kenny Cash, Woody Mankowski, and others!
Tristan Israel
Snake Hollow by the Tristan Israel Band marks the fourth album from the unique songwriter and vocalist who has been performing and recording for almost 60 years. The album showcases the band’s virtuosity and his unique songwriting abilities. From Monarch butterflies to the Astrolabe, an ancient seafarer’s navigational tool, Tristan’s songs take the listener to a variety of moods and places. The lyrics are poetical and well thought out. Tristan’s music varies in style but is always consistent in its surprising deliveries.
\Tristan says that although this may well be his best album, he will continue to create new music at his home in Snake Hollow on Martha’s Vineyard, MA. In the Tristan Israel Band, Tristan sings vocals, plays acoustic guitar, and also harmonica on “Water Over the Dam.” Paul Thurlow plays bass, piano, keys, electric guitar, percussion and backing vocals. Nancy Jephcote fiddles and adds a piano track on the song “Galicia.”
Nancy and Paul are consummate musicians and together with Tristan’s vocals and his varied guitar stylings, they create their own distinct musical experience. Paul, a talented artist in his own right, recorded Snake Hollow on Martha’s Vineyard in the town of West Tisbury. Mike Israel, Tristan’s younger brother and a well-known percussionist on the west coast, plays drums on “Snake Hollow,” “House Always Wins,” and “When I Die.” Phil Spillane’s bluesy notes on harmonica enhance “When I Die,” “No Steal,” and “On Our Way.”
Tristan grew up near New York City influenced by many musicians and genres of music. Musicals on Broadway, the Village folk scene, jazz at the Vanguard, and early rock and roll at the Brooklyn Fox all helped to shape his own music. His mother also instilled in him a love for poetry that still guides the way he crafts his lyrics. His songs are poems that create unique paintings of the world as he sees it.
Tristan Israel
“A magical track about home” “Massachusetts” is the new single from the forthcoming album Snake Hollow by the TRISTAN ISRAEL BAND. Although the song is about a specific place, everyone can relate to Israel longing for his New England family and home, no matter how far he roams. Snake Hollow (coming Feb. 28) will be the fourth album from Tristan Israel, a unique songwriter and vocalist who’s been performing and recording for almost 60 years. The new album showcases the band’s virtuosity and Tristan’s insightful and gripping songwriting abilities. From Monarch butterflies to the Astrolabe, an ancient seafarer’s navigational tool, Tristan’s songs take the listener to a variety of moods and places.
The lyrics are poetic and well thought out. Tristan’s music varies in style but is always consistent in its surprising deliveries. He says that although this may well be his best album, he will continue to create new music at his home in Snake Hollow on Martha’s Vineyard, MA. Although Israel has called Martha’s Vineyard home for many years, he grew up near New York City, influenced by many musicians and genres of music. Musicals on Broadway, the Village folk scene, jazz at the Vanguard, and early rock and roll at the Brooklyn Fox all helped to shape his own music. His mother also instilled in him a love for poetry that still guides the way he crafts his lyrics. His songs are poems that create unique paintings of the world as he sees it. Musicians: Tristan Israel – vocals & guitar, Paul Thurlow – bass, guitar, keys, Nancy Jephcote – violin, Mike Israel – drums.
Tristan Israel
“House Always Wins” is the new single from the forthcoming album Snake Hollow by the Tristan Israel Band. This will be the fourth album from a unique songwriter and vocalist who’s been performing and recording for almost 60 years. Snake Hollow showcases the band’s virtuosity and Tristan’s unique songwriting abilities. From Monarch butterflies to the Astrolabe, an ancient seafarer’s navigational tool, Tristan’s songs take the listener to a variety of moods and places. The lyrics are poetical and well thought out. Tristan’s music varies in style but is always consistent in its surprising deliveries. He says that although this may well be his best album, he will continue to create new music at his home in Snake Hollow on Martha’s Vineyard, MA.
Although he’s called Martha’s Vineyard home for many years now, Tristan Israel grew up near New York City, influenced by many musicians and genres of music. Musicals on Broadway, the Village folk scene, jazz at the Vanguard, and early rock and roll at the Brooklyn Fox all helped to shape his own music. His mother also instilled in him a love for poetry that still guides the way he crafts his lyrics. His songs are poems that create unique paintings of the world as he sees it. Musicians: Tristan Israel – vocals & guitar, Paul Thurlow – bass, guitar, keys, Nancy Jephcote – violin, Mike Israel – drums.
Ute Lemper
“A chanteuse of unique range and ability across all media” – Washington Post In honor of composer Kurt Weill’s 125th birthday, acclaimed singer & actress UTE LEMPER releases her new album Pirate Jenny on David Chesky’s record label, The Audiophile Society. Nearly 40 years after her breakthrough album Ute Lemper Sings Kurt Weill, she now presents fresh, electric re-imaginings of Weill’s songs, whose critiques of societal injustices and corruption still ring true today.
Ute sang all vocal parts, and David handled the instrumentation with co-production for the album from both. Featured tracks include “Mack the Knife” and “Pirate Jenny” from Weill’s groundbreaking Bertolt Brecht production, The Threepenny Opera, along with “Speak Low” from One Touch Of Venus. Sultry vocals and atmospheric beats are brought to life with The Audiophile Society’s immersive MegaDimensional Sound™, transporting longtime fans and new listeners alike to a smoky Berlin jazz club outside of time, reminiscent of Lemper’s award-winning roles as Cabaret’s Sally Bowles in Paris and Chicago’s Velma Kelly in New York and London.
Official Video for “Mack The Knife”
https://www.youtube.com/watch?v=jsmmm0H2rYk
“This project is about creating a new audience for Kurt Weill,” says Lemper. “By blending his timeless melodies with a groove. I’m opening the door for younger listeners who might not know his work. It’s about building a bridge between eras, where Weimar meets the club.” A Billboard Crossover Artist of the Year, Lemper has reimagined icons like Marlene Dietrich, Edith Piaf, and Jacques Brel, alongside more modern collaborations with artists like Tom Waits, Nick Cave, Elvis Costello, and Roger Waters (The Wall: Live in Berlin, 1990). Ute Lemper will be performing the music of Kurt Weill @ 54 Below in NYC on May 27 & 29, with further dates in Europe.